Browsing All posts tagged under »heavy metal«

Various Artists – Album Roundup

November 27, 2014

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This is a selection of records that I’d like to review, but for one reason or another, it’s not going to happen. Some (in fact most) of them just didn’t quite make the cut, in light of the extremely high standard and preponderance of physical submissions I get now (these were all received as digital submissions). Others have just been sitting in the queue for too long for a review to be meaningful now, with their release dates receding behind us into historical time… All of them are well worth listening to however, although I do appreciate that most people reading this won’t have tastes quite …

Various Artists – Album Roundup

September 25, 2014

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Mark Harrison and his very capable band (whose members include the extremely talented duo Josienne Clarke and Ben Walker) play a curiously English take on American roots music. Their stylistic materials mine the cracks between country blues and old time country music, continuing a UK tradition that began with skiffle and was nourished by the likes of Ramblin’ Jack Elliot and the pop-jug-band sounds of Canned Heat. There’s a sense when listening to American performers in such styles, particularly the older ones, that they are singing from beneath a heavy encrustation of …

Peacemaker – Cult .45 (doom)

September 19, 2013

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This album comes from a band that situates itself in the tradition of doom metal quite deliberately, and with some self-awareness. By this I mean that they’ve thought about the meanings of the music they love, and precisely how they are produced in that music, and set out intentionally to share more meanings from the same emotional neck of the woods. In other words, although Peacemaker are operating within the bounds of an established set of musical practices, they are doing so in order engender the experiences to which those practices are specifically adapted; they are using the right…

Various Artists – Singles and EPs

November 20, 2012

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Why do I write reviews? Largely so that I can blag free music instead of buying it like everyone else, and so I can kid my conscience that my inane ramblings are an adequate substitute for paying musicians their due. Of course I can (and will, given half a chance) list any number of more high-minded motivations, but I always feel that the transaction is balanced in my favour; so when this CD was pressed on me by guitarist Simon Rollo, and a review requested with the circumspection of a man asking me to clean the diarrhoea off his sofa, I was amused, embarrassed and confirmed in my impression of Three Thrones, which is that whatever they’re full of, it’s not themselves.

Goya – Demo (stoner metal)

October 9, 2012

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Drugs. Weed, hash, blow, smoke, tea, skunk, green, charas, gear, pollen, bud, sensemilla, kif, oil, dope, black, pot, marijuana, cannabis. I don’t wish to imply that Goya’s music is one-dimensional, but this is very clearly the central inspiration for their creative activities. So much so, that their Bandcamp page is simply addressed with the name ‘marijuana’; I imagine that there are a fair few musicians with similar enthusiasms spitting blood that Goya beat them to it. I wonder if there’s a band called Marijuana whose main inspiration is the last painter to be classed an Old Master? I must remember to form one, if my enthusiasm for making music gets rekindled at any point. Cannabis is a term we’ll return to; let’s turn now to another one. Demo.

Various Artists – Singles and EPs

October 1, 2012

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If you describe Tamara Parsons-Baker’s practice as a formula, it doesn’t inspire much excitement: simple, mainly diatonic guitar strums; emotive vocals; songs about unsuccessful love affairs; we have heard these elements before. However, the five songs on Lover proceed from a somewhat more warped perspective than this formula might suggest, lurking with mischief aforethought behind the placid surface of a nice friendly singer-songwriter. The opening songs on the EP require close attention to the lyrics to reveal their disturbing character, but when we get to ‘I Stuck It Out’ Parsons-Baker’s full weirdness emerges, in a frighteningly witchy evocation of a relationship haunted by madness and murder

Various Artists – Album Roundup

September 13, 2012

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Given its title, its cover, and Quak’s avowed intention to make ‘dusty’ albums, we might expect a taste of nostalgia, of painful distance about this recording; it begins with thunder. This doesn’t presage any protracted exposition of sturm und drang however; it seems rather more like the thunder heard through the windows of childhood, the thunder that tells you a rainy day will be keeping you indoors for the foreseeable future. Quak employs elements of conventional tonal practice to establish emotional conditions, and makes use of technological or human noise and natural ambience to evoke more experientially specific states of being. The sounds have an unsettling character, leavened with some notes of optimism, all filtered through a distancing …