Category: Live music

Reviews of live performances

Review Of The Year 2012, Part 1: 12 Albums

It’s that time of year again, the nights drawing in, the pointless over-consumption going into overdrive, and the music bloggers arranging releases into spurious hierarchies of how hip they think they make them look. Well, let me issue the same caveats I always do: I don’t claim that these are the best albums of the year, simply that they are the ones I like the most out of the ones I happen to have heard. There are lots of famous records I happen not to have heard, some of which I might think were fantastic if I did hear them, but quite honestly I haven’t had time in the past year to hear any more music than I have, and I consider it infinitely preferable to stumble across music organically than to be guided to it just because it’s famous …

Church Of Riff 2 at Colchester Arts Centre (metal)

What a lineup. Any casual punter could readily be forgiven for being carried out in a box. Not that the sounds on offer were remotely toxic; on the contrary, they were entirely wholesome nut cutlets of crunchthudriffery, but seriously, heavy things can crush you, and things as heavy as this can crush you flat. Perhaps that’s why Colchester Arts Centre is ‘never knowingly understood’: stand under this sort of malarkey and you can wave goodbye to three-dimensionality.

Chris T-T, She Makes War, Paul Goodwin and Sophie Jamieson at The Portland Arms, Cambridge

I should come clean at the outset: I knew about this gig because She Makes War, of whose music I’ve been a fan for some time, put it on her website, and as it’s in my old stamping ground, it seemed an ideal opportunity to finally find out what she does live. It was only the day before the gig that I discovered Chris T-T was headlining, and I would guess that he’s just slightly too famous for me to have heard of him, with my warped and inverted approach to cultural discovery… I had no idea there was anyone else on the bill until I got there, but as it turned out, all four acts were well worth hearing.

Adrian May at The Open Road Bookshop, Stoke-by-Nayland (poetry/ acoustic song)

As I seem to be writing about live events again, and I just happen to have been to one in my very own village, at my very good friend Dave Charleston’s bookshop, it would seem churlishly remiss of me to ignore it — not to mention hypocritical, given my vocal public stance on localism… Since The Open Road opened it’s been host to some splendid events, and I really should have been doing my bit to big up my homey Dave before; still, no time like the present. Adrian May’s been doing what he does for a goodly while, but this was the first I’d heard of it; such a lack of international notoriety shouldn’t be taken to correlate in any way with a performer’s quality however…

POST-EASTER MADNESS!!! at the Northcroft Social Club, Sudbury (rock)

It’s very nearly a year since I last wrote a live review, mainly because I find them disproportionately time consuming, but I’ve decided to lighten up a bit, and start doing them again, with a less obsessive approach to the whole thing. Also Paul Rhodes keeps smiling sweetly and asking me politely, so I felt bad and stuff. This particular occasion was marred only by the last minute cancellation of Mouse Drawn Cart, some of whose recordings I reviewed a while back, and who I was looking forward to seeing in action. Stepping into the breach, however, was the enigmatic and dynamic Cornflake Box Head, who bore more than a passing resemblance to Hobopope And The Goldfish Cathedral.

Shrine 69, Another Dead Hero, Meadows & Hobopope & The Goldfish Cathedral at The Northcroft Social Club, Sudbury, 20 May 2011 (metal/ pronk/ heavy rock)

The Northcroft seems to be going all out to turn itself into one of Sudbury’s busiest venues. They’ve been putting on a variety of local and regional acts from all areas of the musical spectrum, but tonight their upstairs room was hired out by some of the noisy bastards. The opening ceremony was provided courtesy of Hobopope & The Goldfish Cathedral, appearing in a duo configuration. HPATGC is Paul Rhodes’ name for some of the stuff he does, but he was accompanied by Ted Mint on guitar…

Fernando’s Kitchen at The Junction, Cambridge, 19 May 2011 (world fusion)

There are not many completely independent bands that can pack out a venue the size of The Junction (which is not huge, but it’s a substantial venue); and a smaller subset of those which perform something as commercially challenged as ‘world music’. Fernando’s Kitchen are playing a good game (admittedly with a strong hand), and do all the right things to reach, engage and retain a loyal audience.