I’ve decided to devote this edition of Monday Musings to talking about Steve Jobs. You may wonder what a recently deceased technology corporation executive has to do with the sort of things I usually write about, other than iTunes, obviously. The short answer is that I’m not too sure, but I felt the need to write about Jobs at some length as soon as I heard he was dead. First, a brief chronology of my early encounters with the man. I suppose the first time his work impinged on my consciousness was when I started at secondary school…
Two deaths loom large this week. The first is of a seminal figure in the history of the acoustic steel string guitar, folk innovator Bert Jansch. First coming to widespread attention as a part of folk/ jazz fusion pioneers Pentangle, his playing was influential on more than one generation of guitarists, starting with his contemporaries such as Jimmy Page. Here’s his obit in the Guardian: http://www.guardian.co.uk/music/2011/oct/05/bert-jansch and here’s one from The Quietus: http://thequietus.com/articles/07121-bert-jansch-obituary
Previously on Saturday Summary, Carmen is becoming suspicious of Raoul’s friendship with Anneka, while Jackson is paranoid that The Beast suspects him of involvement in Algernon’s disappearance… And also, I didn’t post any how-tos or regular bloggery, because I just got carried away with all the exciting Facebook news (yawn). So here’s a more balanced selection of links in the absence of any Major Events.
This week your intrepid investigative correspondent has conducted a great deal of painstaking and potentially dangerous research, to discover that the main story around the new music industries is the f8 Facebook conference. Frankly I find the whole thing rather tedious, as my personal interest is in the varied, individuated, customized and hackable, rather than the monolithic and conventional, but it’s moderately likely that the announcements have some real implications for people’s listening and sharing habits in the near to middling distance.
As far as I’m concerned, extending the copyright in sound recordings to seventy years is a depressingly retrograde step. The argument usually advanced is that royalties on recordings represent an important income source for aging session musicians who failed to make any provision for their old age. Well, I also have failed to make any provision for my old age, but when I’m old I won’t be asking anyone to carry on paying me for work I did in my 20s and 30s.
The big news this week is the return of the legendary Oliver Arditi to the world of regular music news posting. Okay, that’s bollocks. I don’t know what the big news is, because I haven’t been paying much attention, but here’s some links I found what you might find interesting.
There’s a broad classification of musical types that has some common currency, in artistic, marketing and academic circles. I want to briefly consider what it is, where it draws the lines between musics, whether it holds water, and what use it might be to those of us that think about music for whatever reason. There’s two additional widespread categories I could add to art, folk and popular music: jazz and world music. When I was training to teach music, my knowledge of music was assessed through a questionnaire which classified music on this basis…