Two deaths loom large this week. The first is of a seminal figure in the history of the acoustic steel string guitar, folk innovator Bert Jansch. First coming to widespread attention as a part of folk/ jazz fusion pioneers Pentangle, his playing was influential on more than one generation of guitarists, starting with his contemporaries such as Jimmy Page. Here’s his obit in the Guardian: http://www.guardian.co.uk/music/2011/oct/05/bert-jansch and here’s one from The Quietus: http://thequietus.com/articles/07121-bert-jansch-obituary
Previously on Saturday Summary, Carmen is becoming suspicious of Raoul’s friendship with Anneka, while Jackson is paranoid that The Beast suspects him of involvement in Algernon’s disappearance… And also, I didn’t post any how-tos or regular bloggery, because I just got carried away with all the exciting Facebook news (yawn). So here’s a more balanced selection of links in the absence of any Major Events.
This week your intrepid investigative correspondent has conducted a great deal of painstaking and potentially dangerous research, to discover that the main story around the new music industries is the f8 Facebook conference. Frankly I find the whole thing rather tedious, as my personal interest is in the varied, individuated, customized and hackable, rather than the monolithic and conventional, but it’s moderately likely that the announcements have some real implications for people’s listening and sharing habits in the near to middling distance.
As far as I’m concerned, extending the copyright in sound recordings to seventy years is a depressingly retrograde step. The argument usually advanced is that royalties on recordings represent an important income source for aging session musicians who failed to make any provision for their old age. Well, I also have failed to make any provision for my old age, but when I’m old I won’t be asking anyone to carry on paying me for work I did in my 20s and 30s.
The big news this week is the return of the legendary Oliver Arditi to the world of regular music news posting. Okay, that’s bollocks. I don’t know what the big news is, because I haven’t been paying much attention, but here’s some links I found what you might find interesting.
The big news this week is Spotify’s North American launch, but there’s really nothing to say about that so far. It will have some kind of an impact, but exactly how much of one remains to be seen. I don’t know what the end user deal looks like at launch, but here in Europe it’s gone very crappy for those on the free version. It’s certainly true that listeners don’t really care whether or not they ‘own’ a sound, as long as they have access to it, but whether Spotify offers the most attractive means of access for Americans I don’t know.
A few scattered shots in the long range artillery duel over free music this week, but nothing dramatic. Lots of interesting articles though, on various topics. http://dj.dancecult.net/index.php/journal/article/view/81/134 This is a really interesting and in depth article on the role of militarist imagery in industrial music, but its observations are clearly applicable to other musics that utilise similar visuals. There’s often a deliberate conflict between the associations of imagery and the use to which it is put, but often it is a less aware appropriation, as made clear by the musician in this article who seems to think that saying he uses military uniforms because he finds them sexy is the end of the debate…
This week, Myspace gets humiliated again, and lots of people have thoughts about new models for the music business. http://blancomusic.wordpress.com/2011/02/03/whats-all-this-about-spotify-again/ An enlightening perspective from an independent label on Spotify’s business practices. While there is an undeniable parallel with radio, and presence on streaming services may be of real promotional value to some of the smaller players, unless you’re a major then the paid streaming model is essentially based on theft: someone other than the rights holder being the financial beneficiary of distribution.
I’m not detecting any special, industry shaking trends this week (which doesn’t mean they’re not there, I’m usually the last to know!) However, I have found a fair few interesting links I’d like to share with you.
Freemium, and streaming models that offer entirely chimerical value are struggling this week. Which is nice. Pointless middlemen are finding it harder to get by in a market where they can no longer control access, and where ideological control structures are slipping away (or are starting to reflect a reshaped power structure). Oops, did I sound Marxist? I’m not, but the industry’s travails give the lie to the line they peddle about the nature of the business.
This is my first separate weekly post of links and news: it’s number 14 because there were thirteen earlier posts that were joined on to my series of pompous essays (still known as Monday Musings).
I’ve been thinking back recently to my abortive attempt to train as a secondary school music teacher, and the furious bout of self-examination it induced. The process, which was not a positive one, but from which I learned a great deal, forced me to question, and explicitly articulate the value that I place on music. This is a very interesting question: most people will not be able to provide you with a coherent response, and there is clearly no single answer, any more than there is one single music.
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