Browsing All posts tagged under »independent music«

Monday Musing: A Noise In The East

April 29, 2013

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As I write this I’m looking forward to an upcoming Damo Suzuki gig in Colchester. Suzuki spent around three years as vocalist with Can and was recorded with them on four legendary albums. Since 1973 he has been doing his own thing, much of it also involving making music, and much of it very interesting and creative by all accounts, but none of it quite as influential as the work he did with the Krautrock trailblazers. It’s hard to overstate the importance of those four albums, in terms of how great an influence they had on such a wide range of musicians, all over the world; although Suzuki’s global fame and star status can be gauged from the fact that he will be playing a mid-sized music pub when he comes to Colchester, in terms of his…

Various Artists – Singles and EPs

February 4, 2013

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There are ‘pieces’ that are undeniably rap, and definitely not poetry, such as The Sugarhill Gang’s ‘Rapper’s Delight’, and there are others that are undeniably poetry, and definitely not rap, such as John Donne’s Elegy XIX: To His Mistress Going To Bed. This emphatic distinction is a matter of customary usage however, not of hard and fast definitions, and to look for the precise boundary between the two is to fall into an essentialist fallacy. Nevertheless, many assume the existence of such a defensible frontier, which can make for a strong reaction to its penetration, either of outrage or amazement. The Ruby Kid straddles that imaginary barrier without difficulty; the songs/poems/raps on Strange, Lively & Commonplace are both one …

Various Artists – Singles and EPs

September 2, 2012

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This sophomore EP from The Light That Kills is less granular, more directionally narrative than the debut A Day That We Drift And Fall. This is not to say that it consists of conventional musical phrases arranged according to a nice, accessible formal grammar; that really would be weird, given Scott Crocker’s established experimental proclivities, but there is a far less atemporal approach to the succession of events, and there is a discernible dramatic arc to most of these pieces. There is also a more extended use of recognisable sonic sources, including some protracted free-rock improvisation in ‘Woken By Bells’, ‘Letting Go The Gods’ and particularly, most successfully, ‘New Eden’.

Monday Musing: Is Art Political Again?

March 19, 2012

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The more I write about different things, musical aesthetics, the music business, music industry politics, culture and all the rest of it, the less I feel like I’m writing about different things. It’s only when I take a step back that I can see how abstruse and theoretical some of the things I say about aesthetics, for example, must appear, because for me there is nothing less political about a topic like that than there is about any overtly social subject. Everything is political, everything is aesthetic, everything is emotional, everything is spiritual and everything is subject to fruitful theoretical examination …

Monday Musing: Listening Communities And DIY Culture

January 23, 2012

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My last Monday Musing was on the topic of music scenes; this time it’s on a closely related theme. Just as there are social networks of musical production and consumption (a confusing multitude of inter-related networks), so there are networks of cultural practice that contextualise our listening. It’s apparent to anyone who takes an interest that certain sounds are associated with particular demographics. Take a random sampling of ten people who listen primarily to new-folk, another ten who listen mainly to hip-hop, and another ten who mostly listen to post-hardcore, and as much as we might want to pretend that it’s all about …

Monday Musing: Music Scenes And Global Localities

January 9, 2012

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There’s a music scene in your local town or borough. People obsessive or foolhardy enough to make the effort are inventing noises, and making them at other people. The chances are (particularly with small town scenes) that there’s a fair diversity of styles and genres involved, and you’ll probably find pub gigs where sludge metal bands share the bill with indie rock outfits, or punk bands with funk acts. This is the beauty of geographically specific scenes, because it’s always good, for musicians and audiences both, to make connections between musics: that’s where exciting new sounds come from.

Monday Musings: Your Local Scene Is A Weapon

November 14, 2011

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On Saturday I went to RoastFest, a beautiful extravaganza of creative and utterly idiosyncratic music, all independent or unsigned, all uncompromisingly true to its various muses, and all performed for the sheer love of it (free entry to eight hours of music, including some acts who are pretty well known in their field). To see so much genuinely creative and original art on show in one place was more than a treat, it was moving; but it also struck me that I was seeing an accumulation of cultural capital to compare with anything mustered by a government funded national institution.