I’ve been thinking back recently to my abortive attempt to train as a secondary school music teacher, and the furious bout of self-examination it induced. The process, which was not a positive one, but from which I learned a great deal, forced me to question, and explicitly articulate the value that I place on music. This is a very interesting question: most people will not be able to provide you with a coherent response, and there is clearly no single answer, any more than there is one single music.
The Northcroft seems to be going all out to turn itself into one of Sudbury’s busiest venues. They’ve been putting on a variety of local and regional acts from all areas of the musical spectrum, but tonight their upstairs room was hired out by some of the noisy bastards. The opening ceremony was provided courtesy of Hobopope & The Goldfish Cathedral, appearing in a duo configuration. HPATGC is Paul Rhodes’ name for some of the stuff he does, but he was accompanied by Ted Mint on guitar…
I remember at school my art teacher exhorting the class to stop drawing tiny pictures in the corner and to cover the page with bold strokes, to step out and give voice to whatever it was we wanted to express. Well, there are no bushels on top of Hope and Social’s light: they fill the canvas; they are bold; they are bright colours and big gestures; and they give every impression of having forgotten where their navels are.
Fresh Like Dexie are funky. Very funky. I’ve been a fan of funk since I first heard Herbie Hancock’s Headhunters and the Parliafunkadelicment Thang in my late teens, and I devoted a lot of time after that to studying the music, so I have some idea whereof I speak.Funk can sound pretty busy to the uneducated, and it takes some application to strike the right balance, between putting in enough tasty links to make it exciting…
I write this blog; I also write reviews for two excellent websites, the music magazine eBurban and very wonderful independent bands’ … More
There are not many completely independent bands that can pack out a venue the size of The Junction (which is not huge, but it’s a substantial venue); and a smaller subset of those which perform something as commercially challenged as ‘world music’. Fernando’s Kitchen are playing a good game (admittedly with a strong hand), and do all the right things to reach, engage and retain a loyal audience.
The long standing association between the solo bass release and a meaningless display of rippling technical muscularity is thankfully receding into history. It’s reasonable that it should have come about: to play something that is more agile and melodic than the traditional low thump of a bassline requires rather more application on a bass than on a guitar, and there was also, I think, a sense that if the bass player wasn’t displaying some extraordinary chops, why didn’t they stay at the back next to the drummer? The other thing of course, is that an album of any one instrument needs something to keep the listener’s attention, and even the most musical of players can make good use of some pyrotechnics to vary the texture.