The pieces on this album are indeed highly atmospheric, but don’t let this lead you to believe that ambience is all, or even principally, what the music is about. The principal quality of these tunes, their defining feature, and the central locus of Lawson’s creative effort, is melody.
This album contains, but does not start with, the follow up to TFATD’s initial release, Part 1, an EP consisting of a single eighteen minute track called ‘Part 1’. ‘Part 2’ is only a little over five minutes in length, but it does cram a remarkable amount of dramatic incident into that span.
This is the second release from Yonks, hence the name. What do you mean you don’t know what marluk means? It means ‘two’ in no less than three languages. Admittedly they’re only spoken in Greenland, but still. The guitar plus electronics duo continue to plough their distinctive and highly listenable furrow, with three more tracks of (I think) highly processed guitar and programmed beats.
Bass, guitar, drums, singing; these are well used ingredients, so for a band to stand out it needs to use them with a bit of imagination. Pirate & Cobie are in indie-rock territory, and that shapes their approach to a degree, but they give the impression of being there because it’s the music they love, not just because there’s a big audience for it…
This is a five track collection of material Simon Little elected not to include on his forthcoming second album. These decisions were not made because the tunes didn’t make the grade, but because he felt they weren’t a good fit: they are, however, a good fit with each other, and represent a convincing development of his work on Mandala
A few of the recordings I’ve reviewed lately have challenged me to think about the relationship between words and music, and the location of meanings in vocal songs. I’ve never shied away from discussing music with a lyric in a language I don’t understand, but I’m always aware that I’m missing out on a whole heap of possible interpretations.