Browsing All posts tagged under »stoner rock«

Various Artists – Album Roundup

June 25, 2013

0

When we get to the fourth track, ‘Womb’, we learn that Cthulhu Detonator is capable of changing tack. There is still noise, in the sense of forcefully stochastic elements within the timbre of the music, but the principal sound is tonal, sonorous and enveloping. ‘Blinding White Light’ takes a similar approach, as does the mid-section of ‘Transmit.Disintegrate’, but most of the rest of the record consists of much harsher noise based compositions, with an avant-gardist structural approach that eschews any easy aesthetic options. It’s hard going, demanding listening, but it’s very creative stuff, and well worth the effort.

Various Artists – Singles and EPs

June 17, 2013

0

What I know about Alun Vaughan is limited: I reviewed a very nice solo bass performance album of his, and an EP in a similar vein, and I gather he gets up to quite a lot of jazzy malarkey. This short EP bucks that trend just a little bit. The dominant sound is a raw, punky rhythm guitar, but it gets put to a fair old variety of uses. The opening (title) track is a brief hardcore thrash, punctuated by the ‘Clumpville Borstal Boys Choir’ shouting the title (the only vocals on the EP) and some entertaining instrumental breaks. ‘2013’ retains the instrumental timbres, but it’s much more of a modern prog/math rock affair, with tricksy rhythmic interstices, and plangent lead guitar melodies. ‘Heart Shaped Bruise’ opens with more lead guitar prettiness, against some upper register bass chords…

Review Of The Year 2012, Part 2: 12 EPs

December 17, 2012

7

In previous years I’ve assembled my annual review solely from album length releases; it’s interesting to note that the vast majority of music I come across, whether I actively discover it or somebody sends it to me for review, is in something resembling album format (notwithstanding that most of it reaches me as a sequence of ones and zeros). However, I do receive EPs and singles, and some of the very best music I’ve heard this year has come my way in shorter releases. It’s clearly time I reflected this in my end of year review, and as it would seem strange to compare two track singles with seventy minute albums, I’ve decided to assemble my favourites in two parts …

Review Of The Year 2012, Part 1: 12 Albums

December 13, 2012

4

It’s that time of year again, the nights drawing in, the pointless over-consumption going into overdrive, and the music bloggers arranging releases into spurious hierarchies of how hip they think they make them look. Well, let me issue the same caveats I always do: I don’t claim that these are the best albums of the year, simply that they are the ones I like the most out of the ones I happen to have heard. There are lots of famous records I happen not to have heard, some of which I might think were fantastic if I did hear them, but quite honestly I haven’t had time in the past year to hear any more music than I have, and I consider it infinitely preferable to stumble across music organically than to be guided to it just because it’s famous …

Goya – Demo (stoner metal)

October 9, 2012

0

Drugs. Weed, hash, blow, smoke, tea, skunk, green, charas, gear, pollen, bud, sensemilla, kif, oil, dope, black, pot, marijuana, cannabis. I don’t wish to imply that Goya’s music is one-dimensional, but this is very clearly the central inspiration for their creative activities. So much so, that their Bandcamp page is simply addressed with the name ‘marijuana’; I imagine that there are a fair few musicians with similar enthusiasms spitting blood that Goya beat them to it. I wonder if there’s a band called Marijuana whose main inspiration is the last painter to be classed an Old Master? I must remember to form one, if my enthusiasm for making music gets rekindled at any point. Cannabis is a term we’ll return to; let’s turn now to another one. Demo.

Various Artists – Album Roundup

September 13, 2012

0

Given its title, its cover, and Quak’s avowed intention to make ‘dusty’ albums, we might expect a taste of nostalgia, of painful distance about this recording; it begins with thunder. This doesn’t presage any protracted exposition of sturm und drang however; it seems rather more like the thunder heard through the windows of childhood, the thunder that tells you a rainy day will be keeping you indoors for the foreseeable future. Quak employs elements of conventional tonal practice to establish emotional conditions, and makes use of technological or human noise and natural ambience to evoke more experientially specific states of being. The sounds have an unsettling character, leavened with some notes of optimism, all filtered through a distancing …

Slabdragger/ Meadows – split LP (stoner metal)

July 27, 2012

1

The last split release I reviewed also involved Meadows. The rationale behind split releases is obviously to seek a synergy: the artists involved generally have a close stylistic affinity, or their audiences overlap, to their mutual benefit; sometimes I suspect the reason has more to do with the relationship between the artists than any overt promotional or creative goal. Sometimes the contrast involved is more striking than anything else, as in the combination of Chad Vangaalen’s lo-fi pop songs and Xiu Xiu’s medium-interrogating sound art that I reviewed some months ago. In their last split release Meadows moved a considerable distance to close the gap between their creative practice and that of their collaborators, Chestburster, and this time they sound a lot more like Slabdragger, but also, it must be said, a lot more like they normally do.