Tag: singer songwriter
-
Various Artists – Singles and EPs

Twelve minutes is a respectable length for an EP, but with eight tunes on this disc they’re still pretty much crammed in, none of them clocking in closer to two minutes than one-and-a-half. If you think that makes this sound like a sampler, you’d be very wrong: although these bands…
-
Brooke Sharkey – One Dress (folk)

It can be quite hard to find your place as a singer-songwriter; it’s an idiom whose audience mainly appreciates acoustic music, and mainly doesn’t appreciate anything too weird. Its audience also has a seemingly inexhaustible appetite for frankly indistinguishable assemblages of strummed steel-string guitar and predictable vocal melodies; it’s asking…
-
Straw Bear – Black Bank (folk-pop-rock)

Songwriters are faced with a number of choices, regarding the weighting of significance towards the different parts of their practice. Many or most of those that might be described as singer-songwriters signal their emphasis on writing rather than performance, or on non-verbal aspects of composition, by ensuring that the ‘music’…
-
Chris T-T, She Makes War, Paul Goodwin and Sophie Jamieson at The Portland Arms, Cambridge

I should come clean at the outset: I knew about this gig because She Makes War, of whose music I’ve been a fan for some time, put it on her website, and as it’s in my old stamping ground, it seemed an ideal opportunity to finally find out what she…
-
Adrian May at The Open Road Bookshop, Stoke-by-Nayland (poetry/ acoustic song)

As I seem to be writing about live events again, and I just happen to have been to one in my very own village, at my very good friend Dave Charleston’s bookshop, it would seem churlishly remiss of me to ignore it — not to mention hypocritical, given my vocal…
-
She Makes War – Little Battles (gloom-pop)

I’ve been waiting with some considerable bating of breath for this album to come along. The first She Makes War full-length was a real revelation for me: accessible, guitar-based music, founded on traditional songwriting virtues, that hits the sweet spot aspired to by writers of prose fiction, and articulates characters…
-
Creature Breath – I Am Creature Breath (avant-folk)

There’s a simple poetry to this album, an economy of orchestration, of ornament and of lyrical statement. Given that the lyrical themes are of an overtly devotional nature, expressing a sense of rootedness and connection to the ‘Mother’, to the natural world conceived as a person, I find that economy…
-
Neil Cousin – Bonfire (folksong/ roots rock)

Specifics are important. Little details are the warp and weft of life. Neil Cousin knows this: he knows that a hole in a jumper, a night-time swim in the sea, a man with painted toenails and hair worn in plaits are all important. Not important as in important to someone,…
-
Pam Shaffer – As We Are (popular song)

‘Literary’ is an adjective customarily applied to works of popular music when their lyrics use words of more than two syllables, or when they attempt to convey meanings more sophisticated than ‘I like your tits, lets dance.’ Sometimes it’s warranted, when the music adopts discursive strategies that bear some similarity…
-
Paul Littlewood – Butterfly House (singer songwriter)

Paul Littlewood has a signature arrangement style, a way of doing songs. Simple, syncopated guitar parts are layered with glitchy electronic percussion, combinations of short repeated phrases accumulating into complex textures. There are dynamic variations, but over a limited range, for the most part, textural density is proportional to emotional…



