Review Of The Year 2014: 20 Albums

My views on end-of-year roundups in general are quite aggressive, and can be read at greater length in the introduction to last year’s selection, here. Suffice it to say that I think anyone claiming to know which are the best few albums released in any given year is seriously delusional; my selection is simply some of the records I liked the most out of those I happened to come across. These records are all seriously good, but there were over a hundred other albums that could equally well have made it onto my list; my advice is, yes, investigate these records, but more importantly, go hunting for …

Various Artists – Singles and EPs

In recent years the avant-garde fringes of metal have become one of the most fertile sites of musical creativity and invention; while my central musical inclinations might be towards other areas, such as jazz or folk, and while those areas certainly harbour some radically creative minds globally, the majority of music produced and performed locally to me is pretty conservative. Earthmass is one of several bands I have the opportunity to engage with directly (attending gigs, meeting the members, building an ongoing relationship as a music writer, etc.) that pursue a radical formal agenda, and really keep their eye on the ball creatively. There is no uncritical regurgitation of the tropes of heavy music here, no taking the language as given …

POST-EASTER MADNESS!!! at the Northcroft Social Club, Sudbury (rock)

It’s very nearly a year since I last wrote a live review, mainly because I find them disproportionately time consuming, but I’ve decided to lighten up a bit, and start doing them again, with a less obsessive approach to the whole thing. Also Paul Rhodes keeps smiling sweetly and asking me politely, so I felt bad and stuff. This particular occasion was marred only by the last minute cancellation of Mouse Drawn Cart, some of whose recordings I reviewed a while back, and who I was looking forward to seeing in action. Stepping into the breach, however, was the enigmatic and dynamic Cornflake Box Head, who bore more than a passing resemblance to Hobopope And The Goldfish Cathedral.

Various Artists – Singles & EPs

This three track EP seems to be Septic Trauma’s entire recorded output. A shame, as I could happily listen to a few dozen tunes in this vein. Many heavy rock bands lay claim to terms like ‘technical’ and ‘progressive’, but few have any reason to do so. Aside from the sheer ridiculousness of using a term like ‘technical’ to describe a style of music, most of the metal thusly classified makes no more taxing technical demand on its performers than that they should play fast and stay in time, which quite honestly is something any well trained monkey with a floppy pick can manage.

Various Artists – Singles & EPs

I’m not sure what Marie Craven is sorry about. Without overcoming my innate laziness and conducting a proper analysis of the lyrics, it’s hard to say whether she’s expressing regret, making an apology, or meditating on the nature of transgression. In fact the title is a little ambiguous itself: does it refer to a transcendence of the terms of transgression, or a violation of surpassing seriousness? Either way, bracketing this release with two versions of its title track makes her mournful declaration a key aspect of its meaning, and the structural linchpin of its narrative arc.

Various Artists – Album Roundup

I can just imagine the conversation We Are Warm had at an early rehearsal, going through that abominably tedious process of trying to think of a name: ‘well,’ someone must have said, in a last ditch effort to bring some method to the madness, ‘what sort of band are we? What are we like?’ And so began the enumeration of their characteristics… They got it right. If my irritating verbosity were brutally limited to a single adjective, ‘warm’ might well be it. Warm melodies, warm chord sequences, really warm vocal harmonies, warm tones on every instrument…

Various Artists – Singles & EPs

It takes a musical education to do what Matt Winkworth does, and it takes some skills to keep up with him as The Winkworthers Originals do (their grandfathers’ delicious butter candy notwithstanding). It’s a jazz-operatic, literary, nonsensical, funny, serious, harmonically sophisticated, melodramatic oom-pah sort of a thing, delivered with lashings of vaudevillian relish. As you may have inferred from the cover art and the use of ‘brillig’ in the title, one of the songs is a setting of a certain Mr. Dodgson’s famous poem ‘Jabberwocky’…