Tag: improvisation
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Isamu McGregor – Live At The Baked Potato (jazz)

Jazz fusion, after the initial excitement attending its arrival, organised itself into two broad sets of practices: one organised musical materials drawn from various forms of popular music, embracing new musical technologies, with the harmonic erudition of jazz, into complex, highly organised arrangements; the other really just carried on doing…
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Various Artists – Album Roundup

This is a record that gets straight down to business, a short, kinetic acoustic guitar intro prefacing a series of remarks, delivered with such visceral charisma that it almost doesn’t matter what they mean; the fact that they mean a lot imbues this music with a density that belies its…
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Mittimus & Nix Pickler – Devices (free improvisation)

Free improvisers take a lot of different routes to a lot of different destinations, or to put it another way, improvisation can be free in a lot of different ways. When it first burst into the world it was as an avant-garde practice within jazz (although most became aware of…
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Simon Little – The Knowledge Of Things To Come (solo bass/ ambient)

Simon Little’s EP Rejectamenta, ostensibly composed of material rejected for inclusion on this album, was an interesting recording in its own right, and implied certain promises about the creative direction in which Little might be moving. I’m glad to say, he’s as good as his word. Before I even start…
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Monday Musings: Technique and Creativity

There are some really skilled musicians around with very little to say: there are also some players with a very rudimentary technique who are able to stretch it into work of huge creative ambition. There are many more whose artistic strategies are too dependent on their technical aptitude to permit…
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Steve Lawson – 11 Reasons Why 3 Is Greater Than Everything (ambient)

The pieces on this album are indeed highly atmospheric, but don’t let this lead you to believe that ambience is all, or even principally, what the music is about. The principal quality of these tunes, their defining feature, and the central locus of Lawson’s creative effort, is melody.
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Tim Oehlers – Guitarisms (acoustic/ improvisation)

This bold, confidently gestural and slightly glitchy visual design seems to represent in a very appropriate way the sounds it promotes: even the title perfectly evokes the assembly of phrases that the album contains, and with it’s echo of ‘truisms’, its creative intentions, if I read them right.
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Simon Little – Mandala (ambient/ solo bass/ jazz)

One of the tracks on this album is titled ‘Ohm Is Where The Art Is’: it’s awfully tempting to run with that, and build a critical edifice around the idea of ‘ohm’ signifying a metaphorical sense of impedance or resistance, but to be honest, I’m pretty sure Simon Little’s artistic…

