Various Artists – Singles and EPs

Finger-picked arpeggios fall with the regularity and impersonal melancholy of rain, offset by a vocal delivery that is hesitant not in its phrasing, but in its timbre. The sound of this four-song EP is intimate, extremely close to the listener’s ear, and it is formed from the kind of performative gestures in which the proximity of the musician is most pronounced: this is sound as embodiment, its aesthetics rooted in an erotic of human frailty. Lyrically and melodically it is concerned with the concrete, with particulars, but it is an idea of the concrete that is as ephemeral as smoke and as fragile as eggshells – Calming River’s voice

Various Artists – Album Roundup

Golden Diskó Ship drop the listener immediately into a vast reverberant space, in which percussion thuds like a carpenter’s mallet and sweet vocal melodies drift tentatively into scene… Thus begins ‘These thoughts will never take shape’, and indeed there is barely time for the music’s forms to register in the ear before they shift into something else: we are presented with a kind of deconstructed pop song, in which elements are presented serially, in isolation… Until, eventually, around halfway through, after an upper register surf-guitar figure has been presented on the song’s conveyer belt, they come together…

Various Artists – Album Roundup

Richard Pinhas and Yoshida Tatsuya are legendary figures in the French and Japanese experimental rock scenes, respectively. ‘Experimental’ is a term that implies a bit of diversity, and the projects they’ve been involved with have covered quite a range of approaches, so there is nothing predictable about this record, and nor would there have been, whatever it sounded like. Pinhas is a guitarist with a penchant for live looping technology, which he uses here to create shimmering skeins of sound rather than hard-edged rhythmic repetitions, mutating colour fields with texturally filigreed surfaces and pelagically roiling depths. He uses quite pronounced distortion, which takes the music into the fringes of noise, but it is soft and warm, amniotically …

Various Artists – Album Roundup

This entire album is performed straight to tape (or whatever recording medium was used) on a Roland MC-505 groovebox; Cory Peak chose to use a particular set of simple, rounded timbres that gives it a distinct 8-bit vibe, although the machine is considerably more sophisticated, and a much more powerful synthesiser, than the devices that gave rise to that genre. The point is a similar one, as well: in an era of expanding technological possibilities, where the range of options available to electronic music producers on even the tightest budgets is dauntingly vast, defining a closely constrained set of creative …

Various Artists – Singles and EPs

Cassette mushes everything up and squeezes it together; on top of the warm, lush distortions naturally imparted by magnetic tape, the whole stereo recording is crammed onto half of a tape less than four millimeters wide. It takes some clever mastering to get a really spacious, clearly separated soundfield, but if what you want is a totally integrated sound then the format does half the work for you. This, you may be thinking, says ‘punk’ in brackets after the title, so why am I not talking about the songs? Production and other technical matters are a means to an end at best where punk’s concerned…

Various Artists – Album Roundup

Sufficiently independent not to sound ‘indie’, yet aesthetically straightforward enough not to sound ‘experimental’, Neurotic Wreck’s schtick is a pretty accessible art-pop stew; a predominantly electronic production mashes up trip-hop, electro, shoegaze and other downbeat sources, into a melancholy and and carefully textured soundworld, freighted with nostalgia and regret. The album is all about its songs, which is to say it’s as much about lyrics and melody as it is about production, but the creative textures and arrangements are a central part of the utterance; it’s moderately avant-garde, but it’s also furnished with a pop sensibility, and very well put together. It’s not party music, but it’s very listenable, and indeed re-listenable.

Straw Bear – Black Bank (folk-pop-rock)

Songwriters are faced with a number of choices, regarding the weighting of significance towards the different parts of their practice. Many or most of those that might be described as singer-songwriters signal their emphasis on writing rather than performance, or on non-verbal aspects of composition, by ensuring that the ‘music’ doesn’t draw attention to itself. Leaving on one side the issue that the music can’t be effectively separated from the lyrics (at least not when speaking of anything that makes effective use of the conventions of songwriting), this usually entails staying well within the bounds of a stylistic safety zone; one wide enough to encompass the generic tropes of country, folk, blues, rock, swing, the tamer regions of punk …

olds sleeper – plainspoken (folk/ Americana)

I get a lot of visual clichés when I listen to this album. I get sunset, Mr. sleeper’s weatherbeaten face, eyes hidden by the brim of his hat, battered boots on the rail of the porch as he plays, wonky rows of telegraph poles marching off across a flat, parched landscape. I get dust: dust in the air; dust on the pots; dust on the needle. It’s all rubbish. The Pennsylvania landscape of olds sleeper’s patrimony is probably pretty similar to the green, rolling Suffolk I walk the dog in every day.

Various Artists – Album Roundup

I can just imagine the conversation We Are Warm had at an early rehearsal, going through that abominably tedious process of trying to think of a name: ‘well,’ someone must have said, in a last ditch effort to bring some method to the madness, ‘what sort of band are we? What are we like?’ And so began the enumeration of their characteristics… They got it right. If my irritating verbosity were brutally limited to a single adjective, ‘warm’ might well be it. Warm melodies, warm chord sequences, really warm vocal harmonies, warm tones on every instrument…

Hawk Horses – FALL (avant-folk)

Folk music, as a widely shared conceptual category, is largely defined by a sense of authenticity: it is culturally specific music, and it is valued by many (or most) of its fans for its truthfulness to a particular sort of shared experience. This is not usually the personal experience of its listeners, but of the social context of its production: the values and narratives that it encodes are those of a non-industrial, rural, orally constituted community, founded on ties of family and residential proximity. This is all very well, except that this sense of authenticity…

Fit And The Conniptions – Sweet Sister Starlight (blues rock/ folk rock/ singer-songwriter)

Although I have written elsewhere about the singularity of the song as an artistic form, and the fallacy of regarding it as merely a fusion of music and poetry, it can be observed that most singer-songwriters focus their efforts more on one aspect of their craft than another. Some are principally instrumentalists, some singers, some emphasise composition, and some are primarily poets.

Big Block 454 – Bells & Proclamations (folk-funk/ psychedelic rock)

Big Block 454, named for a 1970 Chevrolet engine, are one of the oddest bands I’ve encountered in a while. They are creatively out there, full of weird sounds and transgressive stylistic collisions, and yet they are, to me at least, accessible, pleasing, and decidedly danceable. Apparently they’ve been around a long while: well, it’s not surprising if you haven’t heard of them, because as good as they are, I can’t imagine any record label monkey having the first clue how to sell this stuff!

The Little Unsaid – Into The Faceless Night (folk/ alternative rock)

Original songs in the style of folksong aren’t ‘folk’ in the sense of ‘traditional music’, and nor in fact do they actually sound like any traditional music ever did… this is a collection of finely crafted songs in a style that draws heavily on that tradition, with some rock elements, in the form of some bass and percussion, and some very tasteful, and sonically imaginative electric guitar.