Browsing All posts tagged under »electro«

Various Artists – Album Roundup

November 27, 2014

0

This is a selection of records that I’d like to review, but for one reason or another, it’s not going to happen. Some (in fact most) of them just didn’t quite make the cut, in light of the extremely high standard and preponderance of physical submissions I get now (these were all received as digital submissions). Others have just been sitting in the queue for too long for a review to be meaningful now, with their release dates receding behind us into historical time… All of them are well worth listening to however, although I do appreciate that most people reading this won’t have tastes quite …

Various Artists – Singles and EPs

February 10, 2014

1

This music is the brainchild of Michael Woodman, guitarist and vocalist in Thumpermonkey, written using the immersion composition techniques described in The Frustrated Songwriter’s Handbook. The method seems to work. I have no idea what method he employs when writing for Thumpermonkey, but that seems to work too, and for several reasons Eat Your Robot sound a lot like his other band. One reason is the lyrical style; another is the way the melodies are phrased; another is Woodman’s singing, which is highly distinctive; and equally important are his guitar playing and riff writing, which are a …

Various Artists – Singles and EPs

November 21, 2013

1

Twelve minutes is a respectable length for an EP, but with eight tunes on this disc they’re still pretty much crammed in, none of them clocking in closer to two minutes than one-and-a-half. If you think that makes this sound like a sampler, you’d be very wrong: although these bands clearly have much more to say than can be heard here, these eight songs are perfectly concise and self-contained distillations of energy, political rage, atavistic catharsis, humorous aural vandalism or whatever the appropriate term may be (and I’m sure it’s different for each song). What the eight bands collected on Without Kibou …

Various Artists – Album Roundup

November 3, 2013

0

This entire album is performed straight to tape (or whatever recording medium was used) on a Roland MC-505 groovebox; Cory Peak chose to use a particular set of simple, rounded timbres that gives it a distinct 8-bit vibe, although the machine is considerably more sophisticated, and a much more powerful synthesiser, than the devices that gave rise to that genre. The point is a similar one, as well: in an era of expanding technological possibilities, where the range of options available to electronic music producers on even the tightest budgets is dauntingly vast, defining a closely constrained set of creative …

Various Artists – Singles and EPs

September 26, 2013

1

Cassette mushes everything up and squeezes it together; on top of the warm, lush distortions naturally imparted by magnetic tape, the whole stereo recording is crammed onto half of a tape less than four millimeters wide. It takes some clever mastering to get a really spacious, clearly separated soundfield, but if what you want is a totally integrated sound then the format does half the work for you. This, you may be thinking, says ‘punk’ in brackets after the title, so why am I not talking about the songs? Production and other technical matters are a means to an end at best where punk’s concerned…

Various Artists – Singles and EPs

November 20, 2012

0

Why do I write reviews? Largely so that I can blag free music instead of buying it like everyone else, and so I can kid my conscience that my inane ramblings are an adequate substitute for paying musicians their due. Of course I can (and will, given half a chance) list any number of more high-minded motivations, but I always feel that the transaction is balanced in my favour; so when this CD was pressed on me by guitarist Simon Rollo, and a review requested with the circumspection of a man asking me to clean the diarrhoea off his sofa, I was amused, embarrassed and confirmed in my impression of Three Thrones, which is that whatever they’re full of, it’s not themselves.

Dementio 13 – El Lissitzky (electronic post-rock)

June 12, 2012

1

Composers of electronic music, if they wish to work with a relatively accessible aesthetic, face a particular set of challenges: to avoid a sense of impersonality, to make their music feel ‘human’, to make it breathe, when it may in fact move no physical air between the moment of composition and the moment of reproduction, requires the artist to attend consciously to aspects of the sound that occur automatically in acoustic performance. The uniformity of a repeated sound produced digitally in response to identical instructions is not completely compatible with the idea of music as an expression, as an act of affective communication; this characteristic of electronic music can be exploited as a positive (not just to evoke anomie), by addressing the …