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An archive of the reviews I wrote when I used to review albums.
Browsing All posts tagged under »blues rock«
Various Artists – Album Roundup
November 3, 2013
This entire album is performed straight to tape (or whatever recording medium was used) on a Roland MC-505 groovebox; Cory Peak chose to use a particular set of simple, rounded timbres that gives it a distinct 8-bit vibe, although the machine is considerably more sophisticated, and a much more powerful synthesiser, than the devices that gave rise to that genre. The point is a similar one, as well: in an era of expanding technological possibilities, where the range of options available to electronic music producers on even the tightest budgets is dauntingly vast, defining a closely constrained set of creative …
Huey and the New Yorkers – The After Hours EP (groove rock)
June 30, 2013
Fun Lovin’ Criminals were a major part of the sound of the ‘90s for me; this was the decade in which I had my 20s, achieved my ambition to become something tangentially similar to a professional musician, met my now wife, and became, to my lasting amazement, father to the most intellectually impressive entity I’ve ever encountered (although that didn’t become apparent until she’d just been the loveliest person I’d ever met for a few years). In other words, I have good associations with FLC. My 20s weren’t all good, but the period in which their first two albums came out was one of the …
Various Artists – Singles and EPs
June 17, 2013
What I know about Alun Vaughan is limited: I reviewed a very nice solo bass performance album of his, and an EP in a similar vein, and I gather he gets up to quite a lot of jazzy malarkey. This short EP bucks that trend just a little bit. The dominant sound is a raw, punky rhythm guitar, but it gets put to a fair old variety of uses. The opening (title) track is a brief hardcore thrash, punctuated by the ‘Clumpville Borstal Boys Choir’ shouting the title (the only vocals on the EP) and some entertaining instrumental breaks. ‘2013’ retains the instrumental timbres, but it’s much more of a modern prog/math rock affair, with tricksy rhythmic interstices, and plangent lead guitar melodies. ‘Heart Shaped Bruise’ opens with more lead guitar prettiness, against some upper register bass chords…
Various Artists – Singles and EPs
February 4, 2013
There are ‘pieces’ that are undeniably rap, and definitely not poetry, such as The Sugarhill Gang’s ‘Rapper’s Delight’, and there are others that are undeniably poetry, and definitely not rap, such as John Donne’s Elegy XIX: To His Mistress Going To Bed. This emphatic distinction is a matter of customary usage however, not of hard and fast definitions, and to look for the precise boundary between the two is to fall into an essentialist fallacy. Nevertheless, many assume the existence of such a defensible frontier, which can make for a strong reaction to its penetration, either of outrage or amazement. The Ruby Kid straddles that imaginary barrier without difficulty; the songs/poems/raps on Strange, Lively & Commonplace are both one …
Oli
I'm a writer, and these are my friends.
September 25, 2014
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