Various Artists – Album Roundup

Abject and lonesome mid-fi folk, that drifts across the field of consciousness like a progession of washed-out, dusty photographs, before it becomes quite heavy and ominous towards the end of the album, and finishes with an unlikely cover of ‘Twerk’. One of Uhlich’s Bandcamp tags is ‘devotional’, and there is a sense of outsider ritual about this music, as though a set of the personal habits that make an individual were reified as doctrine: the songs are about something, certainly, but it feels like Uhlich is singing meaning to himself as much as he is singing meanings to us. Songs unfold at a steady pace, with static or slow …

Various Artists – Album Roundup

Mark Harrison and his very capable band (whose members include the extremely talented duo Josienne Clarke and Ben Walker) play a curiously English take on American roots music. Their stylistic materials mine the cracks between country blues and old time country music, continuing a UK tradition that began with skiffle and was nourished by the likes of Ramblin’ Jack Elliot and the pop-jug-band sounds of Canned Heat. There’s a sense when listening to American performers in such styles, particularly the older ones, that they are singing from beneath a heavy encrustation of …

Various Artists – Album Roundup

In the best tradition of underground music, it’s not entirely clear what Milktoast Music is; probably not a label in the traditional sense. More likely a collective of closely related musical projects, I would imagine. This album includes tracks from four of the six acts listed on their website, with those by Richard Pickman in preponderance, and several credited to the label, which are presumably collaborative efforts. The music is humorous and wantonly bizarre, although also quite accessible, and peppered with science-fiction samples. In style, it echoes the timbres of chiptune, with retro digital synths and …

Various Artists – Album Roundup

This entire album is performed straight to tape (or whatever recording medium was used) on a Roland MC-505 groovebox; Cory Peak chose to use a particular set of simple, rounded timbres that gives it a distinct 8-bit vibe, although the machine is considerably more sophisticated, and a much more powerful synthesiser, than the devices that gave rise to that genre. The point is a similar one, as well: in an era of expanding technological possibilities, where the range of options available to electronic music producers on even the tightest budgets is dauntingly vast, defining a closely constrained set of creative …

Various Artists – Singles and EPs

Cassette mushes everything up and squeezes it together; on top of the warm, lush distortions naturally imparted by magnetic tape, the whole stereo recording is crammed onto half of a tape less than four millimeters wide. It takes some clever mastering to get a really spacious, clearly separated soundfield, but if what you want is a totally integrated sound then the format does half the work for you. This, you may be thinking, says ‘punk’ in brackets after the title, so why am I not talking about the songs? Production and other technical matters are a means to an end at best where punk’s concerned…

Various Artists – Album Roundup

You’ll hear a lot of familiar echoes in The Executioner’s Lover, but I can more or less promise that you haven’t heard anything quite like it. It opens with a song, ‘Half Life’, that is mainly arranged for ‘orchestral instruments’, but which also incorporates a rock rhythm section, which comes and goes at strategic moments; the song is a melodramatic number, which while it is not a ballad, has a narrative feel to it, like a piece from musical theatre or light opera. This is more or less the course followed by the album as a whole, but within those approximate bounds there is a huge diversity …