Browsing All posts tagged under »sludge«

Various Artists – Singles and EPs

December 15, 2015

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Richard Wileman seems to be going through a particularly fertile patch of late, putting out releases somewhat faster than I can write about them (and the day he puts out something I don’t write about will be a long time coming). After the vigorous collaborative chops-fest (I simplify unfairly) of Strange Relations comes this short programmatic piece depicting the eventual collision of the Milky Way and Andromeda galaxies. Wileman predicts a cooler, calmer and altogether more pastoral event than sprang immediately to my thoughts, although the vast and oblique affective compass of his alternately gelid and cosy …

Various Artists – Album Roundup

November 27, 2014

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This is a selection of records that I’d like to review, but for one reason or another, it’s not going to happen. Some (in fact most) of them just didn’t quite make the cut, in light of the extremely high standard and preponderance of physical submissions I get now (these were all received as digital submissions). Others have just been sitting in the queue for too long for a review to be meaningful now, with their release dates receding behind us into historical time… All of them are well worth listening to however, although I do appreciate that most people reading this won’t have tastes quite …

Skåglörds – Korea (doom/ electronica)

November 10, 2013

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I don’t know what this has to do with Korea; no more do I know why doom metal (or sabbathcore as it was amusingly described by the label when Korea was submitted for review) represents the north, and electronica the south. I like some enigma in my music, so it’s not keeping me awake at night, and I’m reluctant to ascribe any definitively programmatic meanings to the music. What I think is really interesting about this album is that it juxtaposes two quite distinct creative approaches, and presents them as a single artistic utterance. Whatever meanings the listener might conclude are central to the work must …

Peacemaker – Cult .45 (doom)

September 19, 2013

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This album comes from a band that situates itself in the tradition of doom metal quite deliberately, and with some self-awareness. By this I mean that they’ve thought about the meanings of the music they love, and precisely how they are produced in that music, and set out intentionally to share more meanings from the same emotional neck of the woods. In other words, although Peacemaker are operating within the bounds of an established set of musical practices, they are doing so in order engender the experiences to which those practices are specifically adapted; they are using the right…

Various Artists – Album Roundup

June 25, 2013

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When we get to the fourth track, ‘Womb’, we learn that Cthulhu Detonator is capable of changing tack. There is still noise, in the sense of forcefully stochastic elements within the timbre of the music, but the principal sound is tonal, sonorous and enveloping. ‘Blinding White Light’ takes a similar approach, as does the mid-section of ‘Transmit.Disintegrate’, but most of the rest of the record consists of much harsher noise based compositions, with an avant-gardist structural approach that eschews any easy aesthetic options. It’s hard going, demanding listening, but it’s very creative stuff, and well worth the effort.

Various Artists – Singles and EPs

June 17, 2013

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What I know about Alun Vaughan is limited: I reviewed a very nice solo bass performance album of his, and an EP in a similar vein, and I gather he gets up to quite a lot of jazzy malarkey. This short EP bucks that trend just a little bit. The dominant sound is a raw, punky rhythm guitar, but it gets put to a fair old variety of uses. The opening (title) track is a brief hardcore thrash, punctuated by the ‘Clumpville Borstal Boys Choir’ shouting the title (the only vocals on the EP) and some entertaining instrumental breaks. ‘2013’ retains the instrumental timbres, but it’s much more of a modern prog/math rock affair, with tricksy rhythmic interstices, and plangent lead guitar melodies. ‘Heart Shaped Bruise’ opens with more lead guitar prettiness, against some upper register bass chords…

Luminous Monsters/ Guanoman – We Go Wandering at Night and are Consumed by Fire (drone/ math)

June 6, 2013

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We Go Wandering at Night and are Consumed by Fire is a split release, split in the same sense as the protagonist of Chuck Palahniuk’s Fight Club’s personality. Both of the projects contributing to this release are the sole work of one musician, although they possess quite distinctive characters; Guanoman is described as a ‘purveyor of doom-prog and math-noise’ (also as ‘avantelectrodeathspazzmathcore’, which is more amusing, but less illuminating), while Luminous Monsters is summed up as a ‘majestic creature, appalling and bewildering to human senses, its golden scales ablaze in the sunshine, its coils tumescent with sublime strength, its countless claws and horns crackling with crimson energies formed from the transmuted migrant souls