Browsing All posts tagged under »country rock«

Various Artists – Album Roundup

July 13, 2017

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It has been a long while since I reviewed any music: my life became rather full of obligations, which reduced my output and eventually halted it altogether. Between then and now I have had the chance to reflect on what had become a somewhat procedural activity, and I have reached a few decisions. From now on, I will write about only one record at a time, and I will write about only those submissions that I feel are particularly interesting objects for discussion, rather than prioritising by quality, by aesthetic preference, or by the receipt of a physical submission. However, at the point at which I realised I couldn’t possibly…

Review Of The Year 2014: 20 Albums

December 20, 2014

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My views on end-of-year roundups in general are quite aggressive, and can be read at greater length in the introduction to last year’s selection, here. Suffice it to say that I think anyone claiming to know which are the best few albums released in any given year is seriously delusional; my selection is simply some of the records I liked the most out of those I happened to come across. These records are all seriously good, but there were over a hundred other albums that could equally well have made it onto my list; my advice is, yes, investigate these records, but more importantly, go hunting for …

Various Artists – Album Roundup

September 8, 2014

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Richard Pinhas and Yoshida Tatsuya are legendary figures in the French and Japanese experimental rock scenes, respectively. ‘Experimental’ is a term that implies a bit of diversity, and the projects they’ve been involved with have covered quite a range of approaches, so there is nothing predictable about this record, and nor would there have been, whatever it sounded like. Pinhas is a guitarist with a penchant for live looping technology, which he uses here to create shimmering skeins of sound rather than hard-edged rhythmic repetitions, mutating colour fields with texturally filigreed surfaces and pelagically roiling depths. He uses quite pronounced distortion, which takes the music into the fringes of noise, but it is soft and warm, amniotically …

Various Artists – Album Roundup

March 3, 2014

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Drug Corpse doesn’t have quite the full-core horror content that might be inferred from the cover and the title, but it sets its phasers to dark from the off, and keeps them there. The lyrical themes are as varied as the contributing emcees (of whom there are thirteen in total), but there’s a good mix of conscious and diss lyrics. The latter are full of verbal humour, though pretty threatening in tone, and, as tends to be the case in the mutually supportive indie rap scene, directed at the nebulous ranks of the ‘whack emcee’ rather than at any specific target. The darkness comes mainly from the tone of the …

These Curious Thoughts – Building Mountains From The Ground (roots rock)

June 20, 2013

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The internet is full of interesting long distance collaborations; since everyone got broadband, audio files have been flying back and forth like nobody’s business. Obviously digital music production is most amenable to this approach, but it’s equally feasible for an ensemble recording to be assembled from separate performances in the participants’ own studios/bedrooms/wherevers. Mixing, and particularly mastering, have often taken place at a remove from the recording process, but now that nobody has to shuttle physical media around it’s commonplace for low budget projects to go through those processes in far flung locations. Things have changed, a lot. These Curious Thoughts are a collaboration of a relatively unusual sort, however, at least as far as I’m aware; although …

Various Artists – Album Roundup

March 8, 2012

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The Trappers were kind enough to send me a CD, which usually results in a full length standalone write up, since I appreciate the expense of promoting a band, and also enjoy extending my collection. The fact that they’re in a roundup instead is no reflection on the quality of the release, but more on the kinds of things I tend to talk about when I review a recording. Although I will expand on it somewhat, basically all I can think of to say is ‘it’s roots rock, they do it very well, and I like it a lot’. That should certainly not be taken to say that there is no more content to it than ‘it’s root rock’ can tell you …

olds sleeper – plainspoken (folk/ Americana)

October 13, 2011

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I get a lot of visual clichés when I listen to this album. I get sunset, Mr. sleeper’s weatherbeaten face, eyes hidden by the brim of his hat, battered boots on the rail of the porch as he plays, wonky rows of telegraph poles marching off across a flat, parched landscape. I get dust: dust in the air; dust on the pots; dust on the needle. It’s all rubbish. The Pennsylvania landscape of olds sleeper’s patrimony is probably pretty similar to the green, rolling Suffolk I walk the dog in every day.