Browsing All posts tagged under »Americana«

Various Artists – Album Roundup

July 13, 2017

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It has been a long while since I reviewed any music: my life became rather full of obligations, which reduced my output and eventually halted it altogether. Between then and now I have had the chance to reflect on what had become a somewhat procedural activity, and I have reached a few decisions. From now on, I will write about only one record at a time, and I will write about only those submissions that I feel are particularly interesting objects for discussion, rather than prioritising by quality, by aesthetic preference, or by the receipt of a physical submission. However, at the point at which I realised I couldn’t possibly…

Various Artists – Singles and EPs

August 23, 2016

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Finger-picked arpeggios fall with the regularity and impersonal melancholy of rain, offset by a vocal delivery that is hesitant not in its phrasing, but in its timbre. The sound of this four-song EP is intimate, extremely close to the listener’s ear, and it is formed from the kind of performative gestures in which the proximity of the musician is most pronounced: this is sound as embodiment, its aesthetics rooted in an erotic of human frailty. Lyrically and melodically it is concerned with the concrete, with particulars, but it is an idea of the concrete that is as ephemeral as smoke and as fragile as eggshells - Calming River’s voice

Various Artists – Singles and EPs

March 1, 2015

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There’s a gentle oddness to these songs, cradled in gleefully brutal drum machine sounds and fugal laminations of electric guitar ostinatos. The executioner of the latter is subtly ‘off’, in both pitch and articulation, contrasting the fascistic precision of the former, but colluding with it to efface the performer, along with any notion of their heroic ‘star status’, from the centre of the performance. This is music whose own production sets out to tell us that its author could readily be substituted by a rudimentary machine, or by some other random person; but the songs, and the gloomy disregard with which …

Review Of The Year 2014: 20 Albums

December 20, 2014

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My views on end-of-year roundups in general are quite aggressive, and can be read at greater length in the introduction to last year’s selection, here. Suffice it to say that I think anyone claiming to know which are the best few albums released in any given year is seriously delusional; my selection is simply some of the records I liked the most out of those I happened to come across. These records are all seriously good, but there were over a hundred other albums that could equally well have made it onto my list; my advice is, yes, investigate these records, but more importantly, go hunting for …

Various Artists – Album Roundup

September 25, 2014

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Mark Harrison and his very capable band (whose members include the extremely talented duo Josienne Clarke and Ben Walker) play a curiously English take on American roots music. Their stylistic materials mine the cracks between country blues and old time country music, continuing a UK tradition that began with skiffle and was nourished by the likes of Ramblin’ Jack Elliot and the pop-jug-band sounds of Canned Heat. There’s a sense when listening to American performers in such styles, particularly the older ones, that they are singing from beneath a heavy encrustation of …

Various Artists – Album Roundup

September 8, 2014

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Richard Pinhas and Yoshida Tatsuya are legendary figures in the French and Japanese experimental rock scenes, respectively. ‘Experimental’ is a term that implies a bit of diversity, and the projects they’ve been involved with have covered quite a range of approaches, so there is nothing predictable about this record, and nor would there have been, whatever it sounded like. Pinhas is a guitarist with a penchant for live looping technology, which he uses here to create shimmering skeins of sound rather than hard-edged rhythmic repetitions, mutating colour fields with texturally filigreed surfaces and pelagically roiling depths. He uses quite pronounced distortion, which takes the music into the fringes of noise, but it is soft and warm, amniotically …

Various Artists – Singles and EPs

February 10, 2014

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This music is the brainchild of Michael Woodman, guitarist and vocalist in Thumpermonkey, written using the immersion composition techniques described in The Frustrated Songwriter’s Handbook. The method seems to work. I have no idea what method he employs when writing for Thumpermonkey, but that seems to work too, and for several reasons Eat Your Robot sound a lot like his other band. One reason is the lyrical style; another is the way the melodies are phrased; another is Woodman’s singing, which is highly distinctive; and equally important are his guitar playing and riff writing, which are a …