Browsing All posts tagged under »ambient«

Various Artists – Singles and EPs

November 21, 2013

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Twelve minutes is a respectable length for an EP, but with eight tunes on this disc they’re still pretty much crammed in, none of them clocking in closer to two minutes than one-and-a-half. If you think that makes this sound like a sampler, you’d be very wrong: although these bands clearly have much more to say than can be heard here, these eight songs are perfectly concise and self-contained distillations of energy, political rage, atavistic catharsis, humorous aural vandalism or whatever the appropriate term may be (and I’m sure it’s different for each song). What the eight bands collected on Without Kibou …

The Stargazer’s Assistant – Mirrors & Tides, Shivers & Voids (dark ambient)

October 21, 2013

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There’s no easy categorisation for this music, no recognisable stylistic tag that readily contains it, but it evinces a coherent, clearly-stated set of aesthetic and creative values, an imagistic approach to the making of musical statements, that produces much the same clarity and precision of expression that can be found by working inside an established style. It’s obvious from the start that there is a rigorous method and a fully formed creative language informing the sounds, and part of the music’s fascination is the partial unveiling of that broad artistic vision, leaving the listener at the end of …

Tom DePlonty – Music for Michael Skrtic (experimental)

October 13, 2013

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The artist Michael Skrtic is not someone I know anything about, but his cover for this album of music dedicated to him is certainly an extraordinary piece of work. References to the man are few in cyberspace, but he is the co-author of a book entitled Selections from the Dream Manual: An Aesthetic Grimoire and Compendium of Magical Art. I shall shamelessly jump to all manner of conclusions from the title of said work, without ever having looked inside it… or rather, I won’t, but I will note that surrealistic, dream-like imagery is clearly a part, at least, of the man’s creative practice. The nature …

Various Artists – Singles and EPs

September 26, 2013

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Cassette mushes everything up and squeezes it together; on top of the warm, lush distortions naturally imparted by magnetic tape, the whole stereo recording is crammed onto half of a tape less than four millimeters wide. It takes some clever mastering to get a really spacious, clearly separated soundfield, but if what you want is a totally integrated sound then the format does half the work for you. This, you may be thinking, says ‘punk’ in brackets after the title, so why am I not talking about the songs? Production and other technical matters are a means to an end at best where punk’s concerned…

Various Artists – Album Roundup

September 4, 2013

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We’ve all seen some pretty rough justice in the wake of global capitalism’s recent crises, but Greece has suffered worse than any other part of the developed world. The Figures Of Enormous Grey And The Patterns Of Fraud appears to be a response to these circumstances, although it’s too complex an album to be pinned down quite so glibly. Choral voices are layered with a complex variety of rock textures, ranging from post-rock atmospherics, through mathy convolutions to heavy prog riffing. It’s the big epic sweep of things that tends to predominate, rather than the individual voice or the…

Various Artists – Singles and EPs

July 11, 2013

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A combination of electro-acoustic and programmed sounds are used here to create a sound that pays clear homage to African polyrhythmic percussion music, unpitched attacks mingling with sounds similar to idiophones or lamellophones, although they might come from almost any source. Then there are the synths, guitars and lo-fi samples… No Security Through Numbers is far too complex to glibly summarise with a juxtaposition of stylistic labels or a list of other bands I think you might have heard of. Towards the end of ‘Super Symmetry’ a series of fusionesque stabs appear

Various Artists – Album Roundup

July 8, 2013

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Opening with an extended skit inspired by John Carpenter’s Darkstar, it’s obvious from the start that this Strange Gibberish mixtape is going to be heavy on the humour. It’s also heavy on the creativity and experimentation, with some of the beats straying well into avant-garde territory. It’s far too diverse for me to sum it up here, but the quality is consistently high; this is independent music, in every sense of the term, and most of the producers take a pretty freewheeling, eclectic approach to beat-making, while the lyrical themes are varied and unfettered. Although it’s often …