Various Artists – Singles and EPs

Richard Wileman seems to be going through a particularly fertile patch of late, putting out releases somewhat faster than I can write about them (and the day he puts out something I don’t write about will be a long time coming). After the vigorous collaborative chops-fest (I simplify unfairly) of Strange Relations comes this short programmatic piece depicting the eventual collision of the Milky Way and Andromeda galaxies. Wileman predicts a cooler, calmer and altogether more pastoral event than sprang immediately to my thoughts, although the vast and oblique affective compass of his alternately gelid and cosy …

Various Artists – Album Roundup

We’ve all seen some pretty rough justice in the wake of global capitalism’s recent crises, but Greece has suffered worse than any other part of the developed world. The Figures Of Enormous Grey And The Patterns Of Fraud appears to be a response to these circumstances, although it’s too complex an album to be pinned down quite so glibly. Choral voices are layered with a complex variety of rock textures, ranging from post-rock atmospherics, through mathy convolutions to heavy prog riffing. It’s the big epic sweep of things that tends to predominate, rather than the individual voice or the…

::M∆DE:IN:HEIGHTS:: – APORIA: IN THESE §TREETS (electronica)

It has become something of a cliché to describe a vocalist as ‘using their voice like an instrument’. It’s usually intended as a compliment, but it’s a pretty much empty statement, or even a self-contradictory one. After all, in music, whatever is used to produce sound is an instrument, and we don’t gain much by being told so; the suggestion is usually implicit that, even though the vocalist is ‘just’ a singer, they do some things that are characteristic of a ‘real’ musician, as though singing was somehow too easy to count.