Tag: progressive rock
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A record to have and eat
If you read their website bio, Sanguine Hum have a convoluted creative background, balancing a wide range of interests and demands. A need to experiment, a commitment to accessible, melodic songwriting, an interest in ambient abstraction… somehow it all came together in time for their first full-length release in a…
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Various Artists – Album Roundup
It has been a long while since I reviewed any music: my life became rather full of obligations, which reduced my output and eventually halted it altogether. Between then and now I have had the chance to reflect on what had become a somewhat procedural activity, and I have reached…
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Various Artists – Singles and EPs
Finger-picked arpeggios fall with the regularity and impersonal melancholy of rain, offset by a vocal delivery that is hesitant not in its phrasing, but in its timbre. The sound of this four-song EP is intimate, extremely close to the listener’s ear, and it is formed from the kind of performative…
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Various Artists – Album Roundup
Abject and lonesome mid-fi folk, that drifts across the field of consciousness like a progession of washed-out, dusty photographs, before it becomes quite heavy and ominous towards the end of the album, and finishes with an unlikely cover of ‘Twerk’. One of Uhlich’s Bandcamp tags is ‘devotional’, and there is…
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Opposite Day – Space Taste Race, Pt. 2 (progressive rock)
The ‘progressive’ is a quietly contested quality in rock music. There’s a great deal of music that can be accurately described as such, a small subset of which can be categorised stylistically as ‘progressive rock’. A smaller subset of music that is ‘progressive rock’ in style could also be described…
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Hobopope and the Goldfish Cathedral – Grunt Gullet Pogrom (pronk)
It’s tempting to say that the Hobopope project hasn’t been well documented enough, but I think I’m just saying that I wish Paul David Rhodes would write and record some more songs. This release, from a few years ago, brings together pretty much all the material that I’ve heard, in…
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Roland Bühlmann – Aineo (progressive rock)
There is a minimal aesthetic to Aineo, but its compositions are structured hierarchically, not by any remotely Minimalist procedure. It’s an instrumental record, with cool, low-key textures, that, for the most part, can be uncontroversially classified as rock – a few folky moments notwithstanding. Everything about it conforms to established…
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Ashley Reaks – Before Koresh (avant-rock)
Ashley Reaks speaks from outside. His work is most obviously ‘outsider art’ if you look at his visual work, rather than his music: his collage-based pieces, deliberately ugly as they are (although they are often richly and decoratively patterned), with their disturbing, and frequently sexually explicit iconography, position themselves unequivocally…
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Various Artists – Album Roundup
Chris Saunders has released several more albums under the Interceptor rubric since he sent me this one, but he hasn’t submitted them for review, presumably because it’s taken me so long to get to this! I haven’t heard those yet, and this is old news now, but Angel In The…
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Orange The Juice – The Messiah Is Back (avant-rock)
The physical presentation of a release is an interesting issue. There are some who would argue that it’s irrelevant, that the only interesting thing is the sound on the recording, that the packaging is an aspect of nasty, dirty, anti-art marketing, or so superficial that authentic music fans shouldn’t care…
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Karda Estra – Strange Relations (avant-rock)
The Karda Estra brand has been built on continued invention and creativity: across the preceding eleven albums composer Richard Wileman has consistently and rigorously poked around at the fault-lines of his practice, finding ways to surprise the listener that nevertheless cleave to an established and instantly recognisable aesthetic. Although Karda…
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Rhys Marsh – Sentiment (progressive rock)
The sweet clarity of Rhys Marsh’s voice unifies his album with a luminous, melancholy calm, effortlessly bridging the steepest dynamic gradients in arrangements that can swing rapidly from finger-picked acoustic guitar to weighty chunks of rock. The instrumental textures on Sentiment are dramatic and powerful, but there is never any…
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Prescott – One Did (avant-rock)
There’s an openness, and a sense of ensemble solidarity, to Prescott, that puts me in mind of jazz as much as it does of the art-rock influences they own up to in their press release; much of the music is clearly arranged in detail, but it feels improvisational, and its…
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Various Artists – Album Roundup
I wonder whether this band really wanted to call itself Leveret, but couldn’t recall the word. It’s more likely that they’re named after the 1502 watercolour by Albrecht Dürer, an early masterpiece of observational art; I’m not precisely sure why, but an air of mystery never goes amiss. The music…
Oliver Arditi 