Review Of The Year 2012, Part 1: 12 Albums

It’s that time of year again, the nights drawing in, the pointless over-consumption going into overdrive, and the music bloggers arranging releases into spurious hierarchies of how hip they think they make them look. Well, let me issue the same caveats I always do: I don’t claim that these are the best albums of the year, simply that they are the ones I like the most out of the ones I happen to have heard. There are lots of famous records I happen not to have heard, some of which I might think were fantastic if I did hear them, but quite honestly I haven’t had time in the past year to hear any more music than I have, and I consider it infinitely preferable to stumble across music organically than to be guided to it just because it’s famous …

Olds Sleeper – New Year’s Poem (avant-country/ noise-folk)

This is a recording with a self-consciously ‘lo-fi’ sound, but there’s a whole sonic ideology wrapped up in an idea like ‘lo-fi’. What does it even mean? Low fidelity; and fidelity means truth. I would guess though, that it’s a primary concern of Olds Sleeper’s to get the truth quotient of his music right up there near the top of the dial. The whole duality of high- and low-fidelity has its roots in the early days of recording, a time when verisimilitude, a resemblance to actuality, was a technical challenge to be met, like pulling focus on a cine camera.