Category: Recorded music
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Ed Muirhead – Cage For The Clouds (roots rock)

The songs collected on this album are personal, individuated reflections: often concerned with love, their perspectives are firmly located behind the eyes of well imagined characters, and even when there is celebration in them (as in ‘Paradise’), there is insecurity and doubt as well. There is a tendency in popular…
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Music Basti – Monkey On The Roof (world music/ children’s)

Monkey On The Roof is a document of, and a promotional, fundraising project for, an Indian charity called Music Basti. The charity brings music activities and education to street children in Delhi, in an organised, workshop based structure: their aim is to help give those children some hope for the…
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CS Gray – Shoot Out The Star (roots rock)

I have one major criticism of Shoot Out The Star: the title is written a bit too close to the bottom of the artwork. Some readers may be surprised, given my taste for the experimental and oppositional, that I could be that excited about a straightahead roots rock album. Perhaps…
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Juana Ghani – Budmo! (gypsy/ folk)

Juana Ghani play central European gypsy music (as far as I can tell, I’m no expert). They are a large band, incorporating a variety of instruments, some plucked, some struck, some blown and some squeezed. The songs collected here are driven along by a tightly and propulsively played brass bass…
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Various Artists – You Got Your Punk in My Garage – The Best of the GaragePunk Hideout, Vol. 3 (punk/ garage)

This album is for sale through all the usual big online retailers, but it’s also available as a freebie to active members of the garage music fan community linked to above. It’s the third in an ongoing series, and let me tell you: if you are a fan of this…
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Matt Stevens – Live In Blackpool (progressive/ post-rock/ acoustic)

What’s the point of live albums? As music fans, we usually hope for a number of things, but they mostly revolve around an anticipated sense of greater authenticity. This is the musician doing it for real: you can hear whether or not they really know their stuff, or whether it…
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Paranoid Android – Paper God (new wave)

Punk was like some kind of natural catastrophe: in terms of the frantic pace of pop-music it happened an eon ago, but the shockwaves that spread outward from its point of impact, like a tsunami, get more powerful the more open ocean they traverse. Our understanding of popular music before…
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Doll Fight! – Morning Again (punk/ riot grrrl)

It’s easy to form a punk band: just get some drums and guitars, make up some punk songs, and play them at some punk gigs. If you’re not too sure exactly how to do it, just listen to some Lagwagon or Blink 182 records: you can sing about getting drunk…
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Heidi Harris – Underneath The Grass And Clover (folk)

Heidi Harris works with a palette of folk and Americana pigments, but she doesn’t paint quite the pictures you might expect. Folk music is a collective aurality, the sonic expression of an orally transmitted tradition, and as such, it daubs its canvases with the colours of communal experience: even when…
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Drowner – E.P. (shoegaze/ dream pop)

Listen hard, listen through the surface textures of Drowner’s debut release, and you will find a lot of the music is punchy and kinetic: that’s not how it presents itself, however, because they are punching through a big fluffy pillow of sonic goose down. This is music that is as…
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Simon Little – The Knowledge Of Things To Come (solo bass/ ambient)

Simon Little’s EP Rejectamenta, ostensibly composed of material rejected for inclusion on this album, was an interesting recording in its own right, and implied certain promises about the creative direction in which Little might be moving. I’m glad to say, he’s as good as his word. Before I even start…
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Galapagos Now! – The Beards Of London (garage/ roots rock)

Lyrics slam meanings across one another in collisions of imagery that are sometimes poetic and profound, but always imbued with acid sarcasm and sour humour. Galapagos Now! are not all about the words however: the arrangements of their songs take on the shapes of their meanings, borrowing vocabulary from garage…

