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The Blackswords: Episode 6
Amudr knew that their time in Tua was coming to an end. He was probably alone among the Blackswords in regretting it. The city was not large, but it was a cultured place, with booksellers and libraries, and good discourse to be found in its taverns. Soon he would be living on horseback again, and… Read more
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Various Artists – Album Roundup
Sufficiently independent not to sound ‘indie’, yet aesthetically straightforward enough not to sound ‘experimental’, Neurotic Wreck’s schtick is a pretty accessible art-pop stew; a predominantly electronic production mashes up trip-hop, electro, shoegaze and other downbeat sources, into a melancholy and and carefully textured soundworld, freighted with nostalgia and regret. The album is all about its… Read more
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Aartwork – First Draft (folk)
‘Lo-fi’ has become an important part of the creative discourse of recorded music. Etymologically it’s nonsense: ‘fidelity’ has only ever been an ideological black-box in relation to the construction of ‘recordings’, while aesthetically the term points to a number of artistic strategies relating to the employment of specific textures rather than to any thresholds of… Read more
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Paragaté – Spaceflight Pharmacology (ambient)
Possessed of a melodic simplicity that invokes naïvety, and a harmonic rhythm that deploys some erudition in the service of fairy-tale inevitability, ‘Friendship’, the brief G. Cook piano piece with which Tom DePlonty opens Spaceflight Pharmacology, is a scene setter. Quickly succeeded by a piece that might more readily be associated with Paragaté’s established interest… Read more
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Various Artists – Album Roundup
The Interceptor (a creative alias of the musically promiscuous Chris Saunders, a man who seems to join or form a new band every week), is a purveyor of electronic music; there’s a definite 8-bit vibe but these tracks are far from purist chip-tune territory. Looking at the project’s fairly minimal online presence we can discern… Read more
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Review Of The Year 2012, Part 2: 12 EPs
In previous years I’ve assembled my annual review solely from album length releases; it’s interesting to note that the vast majority of music I come across, whether I actively discover it or somebody sends it to me for review, is in something resembling album format (notwithstanding that most of it reaches me as a sequence… Read more
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