-

An essay in unreality
People like to ascribe meanings to Coen Brothers films. I mean, they must mean something, right? They’re so tricksy and complex, full of so many layers, that surely Joel and Ethan must be getting at something. When an interviewer asked them, in respect of The Hudsucker Proxy, whether they’d intended to address certain themes, Joel… Read more
-

Rapid charm
‘Oh no, the lizard! The lizard’ I was heard to shout when I first watched Bringing Up Baby—in fact I can remember shouting it. I was three years old. I remember, in no particular order, the ‘lizard’ (in fact a leopard), the collapse of the brontosaurus skeleton, the dog running off with the bone, and… Read more
-

Worlds and authorities
I was spurred by the recent BBC TV adaptation of Northern Lights to re-read Philip Pullman’s His Dark Materials trilogy, mainly because I couldn’t remember enough of the plot to grasp how they’d changed it, but also because when I read it before (aloud, to Spawn at bedtimes), it had been a very pleasant experience.… Read more
-

None of this matters
The Big Lebowski is such a legendary movie that it’s almost embarrassing to admit this is the first time I’ve watched it. It possesses all the accoutrements proper to a cult film: sold-out repertory screenings, enthusiasts quoting large contiguous chunks of dialogue at each other, multiple regular fan conventions, and a central character who has… Read more
-

Luminous possibilities
Cwtch is a long-distance collaboration which concluded last year, between Paul Foster, a Welsh electronic music producer, and Marie Craven, an Australian singer and lyricist. Pixiegraf is the album which started it all, back in 2008. Originally conceived as a release under the rubric of Dementio 13 (Foster’s main project), featuring vocals by Craven (usually… Read more
