Browsing All Posts published on »March, 2015«

Deerhoof – La Isla Bonita (avant-pop)

March 21, 2015


There are many ways to do anything. There are musicians that spend their entire career mining one small patch of stylistic territory, exhaustively plotting its possibilities, immersing themselves in its world, refining its vocabulary until their creative utterances are as idiomatic as the language of everyday life. Then there are those that reinvent themselves continually. Both approaches are equally valid (as if I was in any way qualified to tell anyone whether or not their work was valid!), and as far as I can tell, both are equally fertile. I know of many artists, especially in genres like jazz and folk, where great store is …

Josienne Clarke and Ben Walker – Nothing Can Bring Back the Hour (folk)

March 7, 2015


I come late to most notable artists, since I’m not the sort of person that avidly follows the latest developments, or that cares much one way or the other about currency. It’s pure chance that I came across this most accomplished duo on the cusp of their currently burgeoning notoriety. I was lucky enough to share the bill with them on one occasion, and their performance was the undisputed highlight of my evening; shortly thereafter I received a review submission from Mark Harrison, in whose band they both play; and Josienne Clarke was sufficiently appreciative of that review to contact me regarding this …

Various Artists – Singles and EPs

March 1, 2015


There’s a gentle oddness to these songs, cradled in gleefully brutal drum machine sounds and fugal laminations of electric guitar ostinatos. The executioner of the latter is subtly ‘off’, in both pitch and articulation, contrasting the fascistic precision of the former, but colluding with it to efface the performer, along with any notion of their heroic ‘star status’, from the centre of the performance. This is music whose own production sets out to tell us that its author could readily be substituted by a rudimentary machine, or by some other random person; but the songs, and the gloomy disregard with which …