Month: September 2012
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Isamu McGregor – Live At The Baked Potato (jazz)
Jazz fusion, after the initial excitement attending its arrival, organised itself into two broad sets of practices: one organised musical materials drawn from various forms of popular music, embracing new musical technologies, with the harmonic erudition of jazz, into complex, highly organised arrangements; the other really just carried on doing…
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Thumpermonkey – Sleep Furiously (progressive rock)
Injunctions to sleep in a particular manner crop up from time to time as album titles. Hope & Social’s last album length release was called Sleep Sound, which is perhaps the kind of sleeping to which most of us are accustomed; either that or badly. Furiously is another matter altogether:…
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Various Artists – Album Roundup
Given its title, its cover, and Quak’s avowed intention to make ‘dusty’ albums, we might expect a taste of nostalgia, of painful distance about this recording; it begins with thunder. This doesn’t presage any protracted exposition of sturm und drang however; it seems rather more like the thunder heard through…
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Marius Noss Gundersen – Visual Music – Retrato Brasileiro (classical/ MPB)
Visual Music is, according to the sleeve notes, a collaboration with the photographer Tomas Moss; the ‘power of combining vision and audio’, we are informed, offers a broader experience than either would alone, and we are directed to the ‘Visual Music’ website to discover more about this idea. The music…
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Paragaté – The World Above Us (ambient)
Paragaté do not offer a lot of detailed information regarding the manner in which they constructed these recordings. Instead they tell us who worked on which pieces: there are two of them (Tom DePlonty and Tim Risher), and they each claim sole responsibility for two tracks, the remaining five being…
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Various Artists – Singles and EPs
This sophomore EP from The Light That Kills is less granular, more directionally narrative than the debut A Day That We Drift And Fall. This is not to say that it consists of conventional musical phrases arranged according to a nice, accessible formal grammar; that really would be weird, given…
Oliver Arditi 