What I know about Alun Vaughan is limited: I reviewed a very nice solo bass performance album of his, and an EP in a similar vein, and I gather he gets up to quite a lot of jazzy malarkey. This short EP bucks that trend just a little bit. The dominant sound is a raw, punky rhythm guitar, but it gets put to a fair old variety of uses. The opening (title) track is a brief hardcore thrash, punctuated by the ‘Clumpville Borstal Boys Choir’ shouting the title (the only vocals on the EP) and some entertaining instrumental breaks. ‘2013’ retains the instrumental timbres, but it’s much more of a modern prog/math rock affair, with tricksy rhythmic interstices, and plangent lead guitar melodies. ‘Heart Shaped Bruise’ opens with more lead guitar prettiness, against some upper register bass chords…
Tag: sound art
Chad VanGaalen/ Xiu Xiu – The Green Corridor # 02 – Split 12”
When two artists share a split release, there’s usually an immediately apparent reason for it, a close stylistic correspondence, or a specific creative contrast within the context of a broader similarity. Punk and hardcore bands often release splits together, as do sludge and stoner metal acts. So when two halves of a split release seem, on the face of it, to pursue radically divergent artistic agendas, it seems an invitation to consider each in the light of the other. The established practice of the split release almost compels the listener to read the two sets of sounds striking their cochlea as equivalent in some way …