Browsing All posts tagged under »rock«

Various Artists – Album Roundup

November 3, 2013

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This entire album is performed straight to tape (or whatever recording medium was used) on a Roland MC-505 groovebox; Cory Peak chose to use a particular set of simple, rounded timbres that gives it a distinct 8-bit vibe, although the machine is considerably more sophisticated, and a much more powerful synthesiser, than the devices that gave rise to that genre. The point is a similar one, as well: in an era of expanding technological possibilities, where the range of options available to electronic music producers on even the tightest budgets is dauntingly vast, defining a closely constrained set of creative …

Peacemaker – Cult .45 (doom)

September 19, 2013

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This album comes from a band that situates itself in the tradition of doom metal quite deliberately, and with some self-awareness. By this I mean that they’ve thought about the meanings of the music they love, and precisely how they are produced in that music, and set out intentionally to share more meanings from the same emotional neck of the woods. In other words, although Peacemaker are operating within the bounds of an established set of musical practices, they are doing so in order engender the experiences to which those practices are specifically adapted; they are using the right…

Various Artists – Singles and EPs

July 11, 2013

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A combination of electro-acoustic and programmed sounds are used here to create a sound that pays clear homage to African polyrhythmic percussion music, unpitched attacks mingling with sounds similar to idiophones or lamellophones, although they might come from almost any source. Then there are the synths, guitars and lo-fi samples… No Security Through Numbers is far too complex to glibly summarise with a juxtaposition of stylistic labels or a list of other bands I think you might have heard of. Towards the end of ‘Super Symmetry’ a series of fusionesque stabs appear

Cyberchump – Flutter And Flow (ambient rock)

July 4, 2013

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Cyberchump, according to their website, ‘is an electro-organic duo that explores aural soundscapes of rhythm and moment’. While my rarely dormant inner pedant is keen to learn what other kinds of soundscape might exist, this gives a fair sense of the textures to be heard on Flutter And Flow. The music is far from ambient; it has a strong skeletal structure, but it is clearly directed at the exploration of atmosphere, rather than the articulation of narrative, or the erotic power of groove. There are plenty of signs of instrumental agency remaining in the music, which risks an audience …

Huey and the New Yorkers – The After Hours EP (groove rock)

June 30, 2013

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Fun Lovin’ Criminals were a major part of the sound of the ‘90s for me; this was the decade in which I had my 20s, achieved my ambition to become something tangentially similar to a professional musician, met my now wife, and became, to my lasting amazement, father to the most intellectually impressive entity I’ve ever encountered (although that didn’t become apparent until she’d just been the loveliest person I’d ever met for a few years). In other words, I have good associations with FLC. My 20s weren’t all good, but the period in which their first two albums came out was one of the …

These Curious Thoughts – Building Mountains From The Ground (roots rock)

June 20, 2013

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The internet is full of interesting long distance collaborations; since everyone got broadband, audio files have been flying back and forth like nobody’s business. Obviously digital music production is most amenable to this approach, but it’s equally feasible for an ensemble recording to be assembled from separate performances in the participants’ own studios/bedrooms/wherevers. Mixing, and particularly mastering, have often taken place at a remove from the recording process, but now that nobody has to shuttle physical media around it’s commonplace for low budget projects to go through those processes in far flung locations. Things have changed, a lot. These Curious Thoughts are a collaboration of a relatively unusual sort, however, at least as far as I’m aware; although …

Various Artists – Singles and EPs

June 17, 2013

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What I know about Alun Vaughan is limited: I reviewed a very nice solo bass performance album of his, and an EP in a similar vein, and I gather he gets up to quite a lot of jazzy malarkey. This short EP bucks that trend just a little bit. The dominant sound is a raw, punky rhythm guitar, but it gets put to a fair old variety of uses. The opening (title) track is a brief hardcore thrash, punctuated by the ‘Clumpville Borstal Boys Choir’ shouting the title (the only vocals on the EP) and some entertaining instrumental breaks. ‘2013’ retains the instrumental timbres, but it’s much more of a modern prog/math rock affair, with tricksy rhythmic interstices, and plangent lead guitar melodies. ‘Heart Shaped Bruise’ opens with more lead guitar prettiness, against some upper register bass chords…