Tag: psychedelic
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Thumpermonkey – Sleep Furiously (progressive rock)

Injunctions to sleep in a particular manner crop up from time to time as album titles. Hope & Social’s last album length release was called Sleep Sound, which is perhaps the kind of sleeping to which most of us are accustomed; either that or badly. Furiously is another matter altogether:…
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Plum Flower Embroidery – Naki Bone Jangle (psychedelic)

I did a little bit of ‘research’ (a word that used to mean research, and now means believing the first thing you see on the internet), imagining that Naki Bone Jangle would turn out to refer to a ritual noise-maker made from bones by members of a native American tribe.…
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Astralfish – Far Corners (space rock)

Labeling this record as ‘space rock’, as I have above, is a bit like an American telling you that they’re Italian, or Polish or Armenian. I don’t have to write anything after the title, and I’m never trying to ascribe any particular set of characteristics when I do so, but…
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Chad VanGaalen/ Xiu Xiu – The Green Corridor # 02 – Split 12”

When two artists share a split release, there’s usually an immediately apparent reason for it, a close stylistic correspondence, or a specific creative contrast within the context of a broader similarity. Punk and hardcore bands often release splits together, as do sludge and stoner metal acts. So when two halves…
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Karda Estra – Weird Tales (chamber prog-psych)

Karda Estra occupies a fairly unique territory, not a million miles from what Gunther Schuller coined the term ‘Third Stream’ to describe, although, notwithstanding some audible nods toward its harmonic verticality, jazz is not the main constituent of its language. It’s rare that I find myself writing about music where…
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Tom Slatter – Iron Bark (progressive rock/ steampunk)

It’s rare that something truly original comes my way, something that I can’t really put in a box with anything else. Tom Slatter presents me with music for which I can find some comparisons, certainly: there’s a nuanced, psychedelic experimentalism to his compositions, reminiscent of some twentieth century classical music,…
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Ports Of Call – Fractals (shoegaze/ dreampop)

Bass and drums provide Fractals with a spare and sturdy scaffold, from which they hang their shimmering banners of translucent, liquid sound. There are vocals, with audible lyrics, but for me they function similarly to the guitars, as a textural element: reverb returns are often separated in the mix from…
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Karda Estra – New Worlds (psychedelic/ progressive/ chamber music)

This album opens with a strummed guitar chord, and an oboe. The oboe is an instrument not often featured in rock, jazz, popular or folk music, and it signals with its presence that we should prepare ourselves for a variety of ‘not often featured’ elements. There are some sounds of…
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Knifeworld – Dear Lord, No Deal (psychedelic rock)

Kavus Torabi, Cardiacs guitarist, among many other things, originally pursued Knifeworld as a solo endeavour, but this EP marks the beginning of the project’s recorded life as a six piece band with a permanent membership. The initial release, Buried Alone: Tales of Crushing Defeat, had a particular sound, and a…
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Bing Ji Ling – Shadow To Shine (funk/ soul)

This is a record drenched in the seventies, literally dripping with honeyed, soulful, in-your-face, grinning disco lurve. I mean, look at the cover. Quinn Luke is a man who lives his creative convictions (or knows exactly how to give his audience the impression that he does). These songs are full…

