Every so often in the history of music, something big happens. Beethoven comes along and suddenly everyone views artists (not just in music) in a new, heroic light. Punk explodes like a thermonuclear device, and suddenly popular music is a politicised site of struggle and revolution. Miles Davis releases Kind Of Blue and suddenly jazz harmony is revolutionised. As you can imagine, if you read me regularly, I’m not about to take these events at face value: there’s a great deal of mythologising to be unpicked around these, and other, moments.
Tag: music history
Monday Musing: Art, Folk, Pop And The Taxonomy Of Musical Culture
There’s a broad classification of musical types that has some common currency, in artistic, marketing and academic circles. I want to briefly consider what it is, where it draws the lines between musics, whether it holds water, and what use it might be to those of us that think about music for whatever reason. There’s two additional widespread categories I could add to art, folk and popular music: jazz and world music. When I was training to teach music, my knowledge of music was assessed through a questionnaire which classified music on this basis…
Monday Musings: Canons and Mainstreams
How often does someone say ‘you must listen to/ read/ watch cultural artifact X’? How often is it assumed that you are familiar with a particular album, or does someone express shock that you are unfamiliar with another? This week’s topic concerns the cultural canon, and the idea of a mainstream. Certain artworks or artists can uncontroversially be described as canonical: in popular music, Elvis, The Beatles, Madonna and a number of others are likely to have made an impact on more or less everybody’s awareness.