This stomping mechanistic racket

This, stomping, mechanistic racket has the distinct sound of its era, despite sounding decidedly atypical. Its huge, rectangular, electronic drum … More

Mechanimal – Mechanimal (electronic rock)

Produced amidst the collapse of Greek civil society and the evaporation of its economic certainties, Mechanimal looks outwards, fixing its gaze in particular on America and Germany as the source of its musical materials, and by implication (not to mention common consent) significant contributors to the social ills afflicting Mechanimal’s native shores. ‘America, America/ I’ve got your fucking blues’ intones vocalist Freddie F. in ‘Funny’, while the deadpan automated insincerity of the lines ‘You know/ I’m devastated by the way things turned out/ I’m really sorry’ occur in a song titled ‘Motorik’, a term for the characteristic…

Various Artists – Album Roundup

Being able to afford soap is the new bling. That’s not necessarily a satirical conceit most artists would consider hanging an entire album off, let alone their group identity, but BIG $OAP MON£Y CR£W are not ‘most artists’, and that’s exactly what they do. Not that this is overtly a concept album, despite its consistent use of all caps and currency symbols, but the identities adopted by its creators are maintained scrupulously throughout; it’s not pure comedy from start to finish, but WA$H YO FAC£!‘s unbroken satirical undertow betokens a refusal to take themselves too seriously, or to ape the street pomposity of the self-obsessed, machismo fetishising mainstream. This is funny, sometimes eye-wateringly so, and it pokes plenty of affectionate fun…

Various Artists – Album Roundup

Heavy rock music of various sorts has a long standing relationship with the avant-garde, and the more ‘serious’ end of ‘popular’ music (I may put a lot of ‘things’ in quote marks, but it’s not my ‘fault’ if every term in ‘music’ means something other than its ‘literal’ definition!). Metal’s most fertile ongoing point of intersection is in the place where black metal meets drone, a set of practices many of which exist in the rarified air of ‘modern music’, well away from the popular. There is however a parallel area, a less abstruse zone, where some of the more thoughtful metal practitioners find themselves drifting into post-rock territory. (The term ‘post-metal’ is floating about, but I’ll be giving it a decade or so before I decide what it meant.)

Mouse Drawn Cart – Mouse Drawn Cart (experimental rock)

At the instrumental level Mouse Drawn Cart is not massively transgressive. There are some heavy guitars, chainsaw distorted bass, some metal riffing, some industrial-lite beats reminiscent of Nine Inch Nails (‘I’m Not Scared Of You’); there is a very dark and sophisticated approach to texture, and its arrangement into a narrative structure; and there’s some great playing. It’s the songs and the vocal performances that really set this apart; or rather, it’s the whole, but it’s the particular combination of sounds and material that makes this music so unique and disturbing.