Various Artists – Album Roundup

Mark Harrison and his very capable band (whose members include the extremely talented duo Josienne Clarke and Ben Walker) play a curiously English take on American roots music. Their stylistic materials mine the cracks between country blues and old time country music, continuing a UK tradition that began with skiffle and was nourished by the likes of Ramblin’ Jack Elliot and the pop-jug-band sounds of Canned Heat. There’s a sense when listening to American performers in such styles, particularly the older ones, that they are singing from beneath a heavy encrustation of …

Brooke Sharkey – One Dress (folk)

It can be quite hard to find your place as a singer-songwriter; it’s an idiom whose audience mainly appreciates acoustic music, and mainly doesn’t appreciate anything too weird. Its audience also has a seemingly inexhaustible appetite for frankly indistinguishable assemblages of strummed steel-string guitar and predictable vocal melodies; it’s asking an awful lot of vocal timbre and lyrical conceit to make them the sole repositories of individuality and personality, and it is conversely very easy to go with the flow, knowing that if you can spin your simple songs out with enough polish in the delivery there is probably an audience out there for you, one that will be in awe of your talent simply because you’re able to get through a song without …

Various Artists – Album Roundup

Blood has a bad rep, but it’s honestly a good thing; there’s blood all over Shall We Live Forever? Blood and darkness. The hot blood of life and passion; the welcoming dark of all-night celebration and vodka-induced blindness… I’m pretty certain the answer to the question posed in the title is ‘no, so what are we waiting for?’ This is communal gypsy folk, with equal parts groove and lyricism (and great playing), a life-affirming panegyric to the sacred pain and hedonism of life. Some tunes are also on the earlier Budmo!, but get it anyway. It’s impossible not to like.

Review Of The Year 2012, Part 1: 12 Albums

It’s that time of year again, the nights drawing in, the pointless over-consumption going into overdrive, and the music bloggers arranging releases into spurious hierarchies of how hip they think they make them look. Well, let me issue the same caveats I always do: I don’t claim that these are the best albums of the year, simply that they are the ones I like the most out of the ones I happen to have heard. There are lots of famous records I happen not to have heard, some of which I might think were fantastic if I did hear them, but quite honestly I haven’t had time in the past year to hear any more music than I have, and I consider it infinitely preferable to stumble across music organically than to be guided to it just because it’s famous …

Asgeir & Mo – Danza de Andalucia (Flamenco fusion)

Flamenco is a music that lends itself to fusions, and that has been successfully fused in many different contexts, but it is also the site of a pronounced ideology of purism. The kind of cultural essentialism that has afflicted British folk music, or the blues, is still probably still the norm in Andalucia: this is not to say that Flamenco’s practitioners are unwelcoming to outsiders, but they are expected to come as respectful supplicants to the tradition, and those that skirt its fringes are clearly aware of this. I’ve heard Gabriela Quintero at a concert, sounding positively anxious to disavow any claim to the name of Flamenco, on the grounds that ‘those guys will go fucking mental’. There are reasons for this purism, beyond the usual ethnic insecurities …

Juana Ghani – Budmo! (gypsy/ folk)

Juana Ghani play central European gypsy music (as far as I can tell, I’m no expert). They are a large band, incorporating a variety of instruments, some plucked, some struck, some blown and some squeezed. The songs collected here are driven along by a tightly and propulsively played brass bass (although on their website only a double bass player is credited), and are virtually exploding with irrepressible, celebratory energy. The band rolls a long with a bright, off-beat groove, although they are more than capable of lyrical atmospherics at slower tempos…