Various Artists – Singles and EPs

Richard Wileman seems to be going through a particularly fertile patch of late, putting out releases somewhat faster than I can write about them (and the day he puts out something I don’t write about will be a long time coming). After the vigorous collaborative chops-fest (I simplify unfairly) of Strange Relations comes this short programmatic piece depicting the eventual collision of the Milky Way and Andromeda galaxies. Wileman predicts a cooler, calmer and altogether more pastoral event than sprang immediately to my thoughts, although the vast and oblique affective compass of his alternately gelid and cosy …

Various Artists – Album Roundup

Chris Saunders has released several more albums under the Interceptor rubric since he sent me this one, but he hasn’t submitted them for review, presumably because it’s taken me so long to get to this! I haven’t heard those yet, and this is old news now, but Angel In The Red Room is the first to feature guitar. Saunders is known as a noise-monger, and is responsible for various punk/metal rackets, but The Interceptor is an electronic project, in which he basically composes soundtracks for imaginary films, games and TV shows. It’s done for pure love, but his combination of sweeping atmospherics, rhythmic …

Earthmass – Collapse (doom)

When you pull music apart and start to think about it, it often appears to be built up in several ‘dimensions’. These are our modes of perception, rather than qualities with the same independent existence as the the different materials that go into making a house for example, or the elements that compose the Earth’s lithosphere, but much of the time we (and especially musicians) treat them as tangibles. It is much easier to separate such ideas as ‘texture’, ‘timbre’, ‘volume’, ‘tempo’, ‘intensity’, ‘mode’, or ‘time signature’, and to treat them as more or less stable, given quantities, rather than continually to question …

Various Artists – Singles and EPs

The Stringers are a four-piece from Ontario, that plays rock music of the old school – which doesn’t mean that it’s ‘old-fashioned’, but that it’s pop music, god dammit! This is entertainment, with no pretensions to any kind of creative territory beyond that compass; all too often that can imply some kind of highly manufactured, overly polished and self-consciously vapid ‘product’, but this is all about melodies, grooves and the raw sound of musicians making it happen together. Crisp, tight performances are represented in an immediate, close-quarters production, through arrangements that evince a good understanding …

Various Artists – Album Roundup

I wonder whether this band really wanted to call itself Leveret, but couldn’t recall the word. It’s more likely that they’re named after the 1502 watercolour by Albrecht Dürer, an early masterpiece of observational art; I’m not precisely sure why, but an air of mystery never goes amiss. The music isn’t overtly transgressive, but there’s a great deal of creativity in its production, and there are many moments where, if you stop and think about it, what Young Hare are doing is pretty darn odd. That the songs are still identifiably pop songs just makes their practice all the more interesting …

Various Artists – Album Roundup

Mark Harrison and his very capable band (whose members include the extremely talented duo Josienne Clarke and Ben Walker) play a curiously English take on American roots music. Their stylistic materials mine the cracks between country blues and old time country music, continuing a UK tradition that began with skiffle and was nourished by the likes of Ramblin’ Jack Elliot and the pop-jug-band sounds of Canned Heat. There’s a sense when listening to American performers in such styles, particularly the older ones, that they are singing from beneath a heavy encrustation of …

Various Artists – Album Roundup

Richard Pinhas and Yoshida Tatsuya are legendary figures in the French and Japanese experimental rock scenes, respectively. ‘Experimental’ is a term that implies a bit of diversity, and the projects they’ve been involved with have covered quite a range of approaches, so there is nothing predictable about this record, and nor would there have been, whatever it sounded like. Pinhas is a guitarist with a penchant for live looping technology, which he uses here to create shimmering skeins of sound rather than hard-edged rhythmic repetitions, mutating colour fields with texturally filigreed surfaces and pelagically roiling depths. He uses quite pronounced distortion, which takes the music into the fringes of noise, but it is soft and warm, amniotically …

Various Artists – Singles and EPs

Kibou Records is everything I talk about but don’t actually do. It’s a totally independent, DIY music label and online distributor, dedicated to uncompromising underground music, of the noisy punk variety. It’s basically the Revolution, as described by French anarchists The Invisible Committee, a parallel structure that is a challenge to the status quo simply by virtue of its existence. If everyone with music to distribute did this, and everyone bought their music from outfits like this, the corporate music industry would shrivel up and die. Of course the success of such an …

Various Artists – Singles and EPs

This music is the brainchild of Michael Woodman, guitarist and vocalist in Thumpermonkey, written using the immersion composition techniques described in The Frustrated Songwriter’s Handbook. The method seems to work. I have no idea what method he employs when writing for Thumpermonkey, but that seems to work too, and for several reasons Eat Your Robot sound a lot like his other band. One reason is the lyrical style; another is the way the melodies are phrased; another is Woodman’s singing, which is highly distinctive; and equally important are his guitar playing and riff writing, which are a …