When music has no lyrical content, its titles become gnomic and mysterious, intentionally or otherwise. ‘Our Floor With All Its Beliefs’ could be taken in so many different ways, but to be honest I think it’s best not to take it at all. Unless there is a very clear relationship between the musical themes and title it’s safest to assume it’s some kind of private joke or reference, and concentrate on the sound instead: and surely the point of music which refuses, not only verbal language, but the established tropes of musical narrative, is to present itself to the auditory cortex abstractly, as sound, in just the same way that the stone reproduced as the cover of Tone presents itself to the visual cortex.