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Robb Appleton – The Wood (ambient/ folktronica)
Robb Appleton is a harmonica player, and his diatonic harps are a prominent voice on this album, but The Wood doesn’t sound like a harmonica album. In fact, it sounds more like an album made by someone who decided to get a harp player in because they wanted that sound. Instrumentalists have to play to… Read more
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Monday Musings: My Musical Utopia, What It Is, How We Might Get There, And Why We Won’t
Once when I was making my first, abortive attempt at getting a degree, I was sitting in a seminar discussing H.G. Wells’ The History Of Mr. Polly. It was stated, quite forcefully, by the tutor, that because it didn’t articulate a clear alternative, the book’s critique of Edwardian petit-bourgeois life was flawed and incomplete: I… Read more
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ELIKA – Snuggle Bunnies (shoegaze/ dreampop)
Shoegaze and dreampop are genres that, because they are so sonically mediated, offer artists an opportunity to work in a way that is conceptually or semantically layered without seeming inaccessible. Because they offer an established language which is both amenable to manipulation, and widely understood, they lend themselves to very individual statements that are stylistically… Read more
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Mittimus & Nix Pickler – Devices (free improvisation)
Free improvisers take a lot of different routes to a lot of different destinations, or to put it another way, improvisation can be free in a lot of different ways. When it first burst into the world it was as an avant-garde practice within jazz (although most became aware of it when it was sufficiently… Read more
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Ed Ache presents The Vogon Poetry Sessions – Work For Tesco Or Die (punk/ acoustic)
Brace yourself. Ed Ache plays punk songs of such finely honed, cutting sarcasm that he’ll make your brain bleed; often very funny, always witty, usually politically targeted, his songs have catchy melodies that drive home their meanings and convince you of their truth as they get you singing along. They are performed in kinetic, driving… Read more
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Tom Slatter – Iron Bark (progressive rock/ steampunk)
It’s rare that something truly original comes my way, something that I can’t really put in a box with anything else. Tom Slatter presents me with music for which I can find some comparisons, certainly: there’s a nuanced, psychedelic experimentalism to his compositions, reminiscent of some twentieth century classical music, that relates to some artists… Read more
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