-

Paragaté – The World Above Us (ambient)
Paragaté do not offer a lot of detailed information regarding the manner in which they constructed these recordings. Instead they tell us who worked on which pieces: there are two of them (Tom DePlonty and Tim Risher), and they each claim sole responsibility for two tracks, the remaining five being ascribed to some degree of… Read more
-

Chattabox – They Call Me (hip-hop)
As I’ve come to expect from a Chattabox release, this one goes in hard from the start. I often go to some lengths to counter the idea that musical quality is a matter of technical skills being exploited at full stretch, but there are times when an impressive display of compositional and performance gymnastics makes… Read more
-

Various Artists – Album Roundup
The five pieces collected on Elle Avait Raison Hathor take their inspiration from five female deities, from geographically disparate mythological traditions – ancient Egyptian, Japanese, Inuit and classical Greek. To exploit mythical archetypes in a way that respects the specificities of a modern subjectivity takes a deft touch and a nuanced understanding, both of the… Read more
-

The Blackswords: Episode 4
The cabin shutters were closed, slicing the the sunlight into a gridwork of thin lines: thicker verticals at the hinges, or where the two leaves met, and fine horizontals that passed between the boards. Ashurra’s eyes traced the lines across the wall, and abruptly out, around the lean knots and cords of her brother’s chest… Read more
-

Cutleri – We Sink Ships (avant-folk)
I never know how much to consider the visual artwork when I’m discussing a release. On the one hand, I don’t want to do the artist a disservice by basing my description on anything extraneous to the music, but then the artwork does unavoidably affect how the listener hears the music, and the visual component… Read more
