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Dementio 13 – El Lissitzky (electronic post-rock)
Composers of electronic music, if they wish to work with a relatively accessible aesthetic, face a particular set of challenges: to avoid a sense of impersonality, to make their music feel ‘human’, to make it breathe, when it may in fact move no physical air between the moment of composition and the moment of reproduction,… Read more
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Caution Horses – City Lights (pop-rock)
The songs on City Lights are tightly orchestrated in guitar driven arrangements of a sort that might be attract the irritating descriptor ‘soft rock’, but sound more to me like a species of post-punk, à la Joe Jackson. A prominent, mid-rangy bass weaves sinewy counter-melodies through a weft of cleanly recorded and crisply played drums,… Read more
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Plum Flower Embroidery – Naki Bone Jangle (psychedelic)
I did a little bit of ‘research’ (a word that used to mean research, and now means believing the first thing you see on the internet), imagining that Naki Bone Jangle would turn out to refer to a ritual noise-maker made from bones by members of a native American tribe. Well, that may be the… Read more
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Copywrite – God Save The King (Proper English Version) (hip-hop)
Underground hip-hop takes distinct forms on either side of the Atlantic, to the extent that it’s arguable that ‘British underground hip-hop’ refers to a genre distinct from the American equivalent, rather than a geographically differentiated variety of the same thing. Arguable, but that doesn’t mean I think that’s necessarily the case… I do think that… Read more

