Browsing All Posts published on »April, 2014«

Abstractive Noise – of the Adder’s Bite (post-ambient)

April 27, 2014


Woman as symbol figures prominently in the conceptual scaffolding of this album; this is something about which I have certain reservations. ‘Woman’ has been employed as a metaphor for many things in the creative languages of men: the imaginative faculty, the creative spirit, material aspiration, fields of endeavour, country or native soil… the list goes on. These things have differences and similarities, but ‘woman’ is appropriated to them all by virtue of her femininity; ‘man’, in contrast, when employed as a symbol, simply means ‘human’, or ‘people’. The defining characteristic of ‘woman’ is her difference …

Matt Stevens – Lucid (avant-rock)

April 4, 2014


Matt Stevens has a particular approach as a solo performer; he gigs on his own, with an acoustic guitar, and he plays instrumental music. He’s a great player, but he doesn’t tackle the challenge of solo performance by throwing a heap of complex technique at the problem; instead, he uses live looping technology to accompany himself. He builds up a pattern of rhythm and harmony, in anything from one to several layers, and plays melody over the top (or not, depending on what else is going on). You can see this if you go to one of his gigs. He’ll start playing, then after a while he’ll stop, but what he’s just been …