Tag: electronic music
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Skåglörds – Korea (doom/ electronica)
I don’t know what this has to do with Korea; no more do I know why doom metal (or sabbathcore as it was amusingly described by the label when Korea was submitted for review) represents the north, and electronica the south. I like some enigma in my music, so it’s…
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Dementio 13 – Imperial Decimal (electronica)
Historically, the music released under the Dementio 13 aegis has been sufficiently consistent to sound like the work of a single project, but it has also developed and evolved in quite striking ways. The earlier work had a more signally electronic sound, and although it involved some remarkable explorations of…
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Various Artists – Singles and EPs
There are ‘pieces’ that are undeniably rap, and definitely not poetry, such as The Sugarhill Gang’s ‘Rapper’s Delight’, and there are others that are undeniably poetry, and definitely not rap, such as John Donne’s Elegy XIX: To His Mistress Going To Bed. This emphatic distinction is a matter of customary…
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Various Artists – Album Roundup
Sufficiently independent not to sound ‘indie’, yet aesthetically straightforward enough not to sound ‘experimental’, Neurotic Wreck’s schtick is a pretty accessible art-pop stew; a predominantly electronic production mashes up trip-hop, electro, shoegaze and other downbeat sources, into a melancholy and and carefully textured soundworld, freighted with nostalgia and regret. The…
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Paragaté – Spaceflight Pharmacology (ambient)
Possessed of a melodic simplicity that invokes naïvety, and a harmonic rhythm that deploys some erudition in the service of fairy-tale inevitability, ‘Friendship’, the brief G. Cook piano piece with which Tom DePlonty opens Spaceflight Pharmacology, is a scene setter. Quickly succeeded by a piece that might more readily be…
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Various Artists – Album Roundup
The Interceptor (a creative alias of the musically promiscuous Chris Saunders, a man who seems to join or form a new band every week), is a purveyor of electronic music; there’s a definite 8-bit vibe but these tracks are far from purist chip-tune territory. Looking at the project’s fairly minimal…
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Dementio 13 – El Lissitzky (electronic post-rock)
Composers of electronic music, if they wish to work with a relatively accessible aesthetic, face a particular set of challenges: to avoid a sense of impersonality, to make their music feel ‘human’, to make it breathe, when it may in fact move no physical air between the moment of composition…
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Army of 2600 – Return Of The Bloop Beep Buzz (chiptune/ noise)
Chiptune purists may stick exclusively to using sounds as they are synthesised by their chosen platform, but there’s a well established set of musical practices that take the sounds of a Gameboy, an Amiga, or, in this case, an Atari 2600, and liberally mash them up. Mike Bourque likes to…
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Various Artists – Album Roundup
There’s more than a nod to dreampop and shoegaze in this music, but Lisa Masia and Marina Cristofalo are clearly too in love with the raw and ragged sound of a distorted electric guitar to tame it to the extent that might imply. Some of Wish You Were A Pony…
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Dementio13 – The Hobbyist (electronic post-rock)
‘Style’ is frequently contested territory in popular music. Widely circulating ideas of authenticity have it that for a creative musician to think about style is to privilege the superficial surface of their work over the deep substance. Musicians are supposed to just be ‘true to themselves’, and the music that…
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lextrical – Deletia (electronica/ indie/ folktronica)
Deletia opens with ‘Lunchbox D’, which begins with an obviously electronic backbeat; this is joined a bar later by a saturated, analogue sounding synth melody, and simultaneously by a guitar. This sets the pattern for the album: it is a predominantly electronic construction, but it is a highly organic one,…
Oliver Arditi 