EPs feat pic 027 October 27, 2014
Compassion Fatigue October 13, 2014
In Droplet Form September 30, 2014
Album Roundup 030 September 25, 2014

Arch Garrison – I Will Be A Pilgrim (avant-folk)

September 17, 2014


I Will Be A Pilgrim

A sense of native place is a sentiment most associated, in music, with folk styles, or with the strong blood-and-soil nationalist current in black metal, for example, and such sounds have sometimes been taken up by those with particularly unpleasant political agendas. Craig Fortnam is here to remind us, through his acoustic Arch Garrison project, that an autochthonous sense of identity, a strong sense of connection to the landscape on which one lives, can be inclusive and nourishing. These songs are informed by an awareness of the difficulties and ambiguities around such ideas …

Posted in: Music, Music reviews

Kevin Pearce – Matthew Hopkins And The Wormhole (indie)

September 10, 2014


Matthew Hopkins And The Wormhole

There’s a lot of quality songwriters out there, ones that write sincere and sophisticated songs, and that, without necessarily straying too far from the kinds of musical materials that audiences find digestible, manage to say something particular and illuminating. Trouble is, they all sound the same. I mean, however good the material is, and however great the performances, there are an awful lot of relatively similar voices clamouring for the listener’s ear. Although what usually happens is that audiences gravitate to artists who resonate with them for reasons extraneous …

Posted in: Music, Music reviews

Various Artists – Album Roundup

September 8, 2014


Album Roundup 029

Richard Pinhas and Yoshida Tatsuya are legendary figures in the French and Japanese experimental rock scenes, respectively. ‘Experimental’ is a term that implies a bit of diversity, and the projects they’ve been involved with have covered quite a range of approaches, so there is nothing predictable about this record, and nor would there have been, whatever it sounded like. Pinhas is a guitarist with a penchant for live looping technology, which he uses here to create shimmering skeins of sound rather than hard-edged rhythmic repetitions, mutating colour fields with texturally filigreed surfaces and pelagically roiling depths. He uses quite pronounced distortion, which takes the music into the fringes of noise, but it is soft and warm, amniotically …


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