Compassion Fatigue October 13, 2014
In Droplet Form September 30, 2014
Album Roundup 030 September 25, 2014
I Will Be A Pilgrim September 17, 2014

Kevin Pearce – Matthew Hopkins And The Wormhole (indie)

September 10, 2014

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Matthew Hopkins And The Wormhole

There’s a lot of quality songwriters out there, ones that write sincere and sophisticated songs, and that, without necessarily straying too far from the kinds of musical materials that audiences find digestible, manage to say something particular and illuminating. Trouble is, they all sound the same. I mean, however good the material is, and however great the performances, there are an awful lot of relatively similar voices clamouring for the listener’s ear. Although what usually happens is that audiences gravitate to artists who resonate with them for reasons extraneous …

Posted in: Music, Music reviews

Various Artists – Album Roundup

September 8, 2014

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Album Roundup 029

Richard Pinhas and Yoshida Tatsuya are legendary figures in the French and Japanese experimental rock scenes, respectively. ‘Experimental’ is a term that implies a bit of diversity, and the projects they’ve been involved with have covered quite a range of approaches, so there is nothing predictable about this record, and nor would there have been, whatever it sounded like. Pinhas is a guitarist with a penchant for live looping technology, which he uses here to create shimmering skeins of sound rather than hard-edged rhythmic repetitions, mutating colour fields with texturally filigreed surfaces and pelagically roiling depths. He uses quite pronounced distortion, which takes the music into the fringes of noise, but it is soft and warm, amniotically …

Regal Worm – Use and Ornament (avant-prog)

June 15, 2014

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Use and Ornament

‘Detail’ seems to be the watchword by which this album was conceived and constructed; I hesitate to say that it’s all about the arrangements, as it’s clearly about much more, but a conspicuously enormous amount of effort has gone into them. Ideas abound in every area, in an album which is clearly a paean to much of the best music that progressive rock has produced; stylistic cues come from many sources, including folk, jazz and sixties psych-pop, and melodic or harmonic devices are presented in a rapidly cycling kaleidoscope of nuanced affective conditions. However, it is in the constant, subtly modulated…

Posted in: Music, Music reviews
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